Streaming Media

The next session that I’m in at at ANZCA 2023 is on media and climate change, and starts with my QUT Digital Media Research Centre colleague Carly Lubicz-Zaorski, whose focus is on the mainstream media framing of UNESCO’s ‘in danger’ rating for the Great Barrier Reef on the Australian northeast coast.

Mainstream media continue to play a key agenda-setting role on social media platforms, but the way this works differs across social media platforms. Carly collected data from several social media platforms (Facebook, Twitter, YouTube) around the UNESCO ‘in danger’ recommendation in 2021. The recommendation was eventually ignored by the …

The last day at ANZCA 2023 starts for me with a session on ‘freedom’ movements, and we begin with Ciaran Ryan and a paper on the 2022 ‘Convoy to Canberra’. This was a gathering of some 10,000 Australians in Canberra in early February 2022 to protest COVID-19 measures, and was inspired to some extent by the Canadian ‘Freedom Convoy’ to Ottawa, which blocked the city centre. Both convoys were largely organised and promoted through social media.

These events exemplify the use of such media for the organisation of populist protest movements, supported and inflamed by fringe news outlets and enhanced …

OK, so I skipped the previous session as I got talking about current research projects with a number of colleagues I hadn’t seen for a while, but I’m back for the final session this afternoon, on the recent Voice to Parliament referendum in Australia, where my colleague Sam Vilkins and I are presenting our own papers. I’m the first presenter in the session, so here are my slides:

And the final speaker in this COMNEWS 2023 session is Setio Budi H. Hutomo, whose interest is in the digitisation of local television in Indonesia, and its impact on democratic processes. This system was affected by the 2002 broadcasting bill, which introduced private, community, and subscription broadcasting in addition to public service media. This has an impact especially also on local media, including local television.

There is a limited number of major media groups in Indonesia, which also dominate the TV advertising market. Local TV does not capture much of this spending, and the more than 300 local television stations …

The next speaker in this AoIR 2023 session is Cindy Fang, whose interest is in the early days of the Clubhouse social media platform – an invite-only audio app that became popular during the COVID-19 pandemic and attracted a number of high-profile users (including Mark Zuckerberg and Elon Musk). This userbase can be understood as a networked public, structured by the platform’s affordances – or in this case, networked listeners and active producers of content.

Clubhouse also provided a sense of community, with audio streams and comments on that content; this produces some social capital for prominent participants which is …

The final speakers in this session at AoIR 2023 are Marcel Alves dos Santos Jr. and, again, Emilie de Keulenaar (and I’m on 2% charge, so let’s see how far we get here). Marcel begins by pointing to Brazil’s unresolved relationship with its past military dictatorships: its Constitution of 1988 was accompanied by an amnesty for members of the military who were implicated in human rights abuses.

These issues were brought to the forefront again during the imprisonment of former president Lula da Silva and the presidency of former soldier Jair Bolsonaro, which emboldened military leaders to involve themselves …

The final session on this second full day at AoIR 2023 is on deplatforming, and starts with Richard Rogers and Emilie de Keulenaar. Richard begins by outlining the idea of trace research – using the ‘exhaust’ of the Web to study societal trends unobtrusively, not least also with the help of computational social science methods.

This understood platforms as mere intermediaries, carrying content, yet more forceful interventions by platforms to shape communication practices – e.g. by deplatforming unacceptable speech acts and actors – have shown that platforms are themselves also active and self-interested stakeholders here, whose algorithmic interventions complicate the …

The next speaker in this fascinating AoIR 2023 session is Yvonne Eadon, whose interest is in the subscription-based streaming platform Gaia.com, the self-declared ‘Netflix of consciousness-raising media’. She describes this as a kind of conspirituality capitalism, which is perhaps accidentally encountered by people searching for life advice and spiritual content. It features plenty of ‘alternative spirituality’ and ‘unexplained phenomena’ content alongside material on yoga practice, and thus appears to deliberately create a yoga-to-conspiracy pipeline.

Gaia started as a yoga equipment retailer initiated by a Czech entrepreneur, but moved more and more into streaming content, including costly in-person live-streamed events …

The next speaker in this AoIR 2023 session is Kyle Moody, who shifts our focus to branding and consumption markets in cultures; much fandom is tied up with such branding activities. In particular, the focus here is on Twitch, where affective labour and fan work collides with the gig economy of media content creation.

Twitch has made the individual easier to reach (and achieve reach) than ever before; most streamers are not backed by major gaming companies, but act as single agents who create gaming broadcast content and in doing so must adopt and follow certain performance practices: this may …