Streaming Media

And the final speaker in this IAMCR 2024 session is Nicole Stewart. Her interest is in the presence of journalism in the informational backwaters of streaming platform Twitch; what functions do its streamers play in the delivery of news?

And the final speaker in this full session at IAMCR 2024 is Dorismilda Flores-Márquez, who shifts our focus to the presidential campaign in Mexico. This was the first time the election was a contest between two women candidates – a major step in the country.

The post-lunch session at IAMCR 2024 starts with the great Susan Grantham, whose focus is on the use of TikTok by Queensland state politicians in the lead-up to the October 2024 election. Even in spite of moves to ban TikTok in government departments and at the federal level for security reasons, candidates have been active on TikTok, and have been using it to build an ‘authentic’ personal brand – which requires immediacy, consistency, and ordinariness.

Up next at IAMCR 2024 are Virpi Salojärvi and Teija Waaramaa, whose interest is in the presence of Finnish legacy media on TikTok. Their move to explore this platform is part of a longer trajectory of journalistic transformation with the growing use of digital and social media technologies; this has also meant a greater incorporation of affective elements into journalistic coverage.

It’s an early Monday in Christchurch, which means I must be at IAMCR 2024. I’ll present later in this session, but we begin this session with Linda Kong, whose focus is on the short-video addiction of rural Chinese elders. Young people in China are in fact worried about the substantial increase in the short video watching by elderly Chinese, and there even concerns about short-video addiction.

And the final speaker in this last session at the P³: Power, Propaganda, Polarisation ICA 2024 postconference is Frederik Henriksen, with a paper on the transformation of the digital far right as a result of the COVID-19 pandemic. From a focus on anti-immigration arguments it moved towards an anti-establishment angle; it also transformed and coordinated organisationally; and found new topics especially in anti-vaccination discourse as a widely popular topic.

The keynote speaker on this section day of the P³: Power, Propaganda, Polarisation ICA 2024 postconference is the wonderful Annie Waldherr from the University of Vienna, whose focus is on the use of online visual content for connective action and communication, especially also in the context of conflict. How do strategic actors and activists use visual communication, what narratives do they promote, how do audiences engage with this, and how do such narratives spread on social media as a result?

Annie’s work focusses on climate narratives in Austria and Germany, in particular, but the broader team also covers a wider transnational picture in Europe; it examines the production, pictures, publics, and propagation of climate change-related narratives across platforms. Key platforms here include Facebook, YouTube, Twitter, and TikTok, and a key interest is in concepts related to interactional, positional, and affective polarisation amongst the users who engage with relevant (visual) content.

The next speaker in this session at the P³: Power, Propaganda, Polarisation ICA 2024 postconference is Andrew Fitzgerald, whose interest is in the use of longitudinal mobile screenshot data in research. This is another response to the emerging challenges in doing research on the power of platforms – platform infrastructures continue to change in their interface design and affordances, algorithmic curation affects what actual content users encounter, access approaches to platform data keep evolving, and new platforms emerge all the time. This means that we need independent data collection methods, beyond what the platforms themselves do or do not provide, that can cope with all of these issues.

The second day of our P³: Power, Propaganda, Polarisation ICA 2024 postconference focusses on research methods, and starts with a presentation by the excellent Jessica Gabriele Walter. Her focus is on YouTube data donations. Conventional social media data access has been via platform APIs and third-party platform initiatives like Social Science One; an alternative to this are user-centric approaches like browser tracking or data donation, which is growing in prominence.

The final P³: Power, Propaganda, Polarisation ICA 2024 postconference session for today starts with Susan Grantham, whose focus is on the political uses of TikTok. Here, she is focussing especially on the use of the platform by individual politicians in the last Queensland election – which continued even though there were increasing moves to ban the platform in Australia, especially by political actors.