Streaming Media

The Monday morning session at the ICA 2024 conference begins with Jakob Bæk Kristensen, presenting a study on cross-platform alternative news sharing. Cross-platform studies are highly necessary, but still remain rare: even if many platforms are designed to keep users on-platform, users themselves often act and share content across platforms – but it is difficult to trace those practices across multiple platforms.

The next speaker in this ICA 2024 conference session is Darian Harff, whose interest is in the political topics covered by social media influencers in Germany and Flanders. Social media influencers run popular social media accounts and have become well-known because of their content specialties, but some occasionally also address political topics. This can be consequential in affecting public opinion especially amongst younger audiences, but is also problematic because they often have no formal political expertise.

The next speaker in this ICA 2024 conference session is Tian Yang, presenting a comparison of the visibility of news on the Web, Twitter, Facebook and YouTube. Platforms are now central to the presentation of news production, dissemination, and use, and access through social media is considerably more common than direct access to Websites.

The next session of the ICA 2024 conference that I’m in starts with Christian Pipal, whose interest is in political communication and viewer engagement on TikTok. He begins by noting the use of TikTok by the Austrian presidential candidate (and subsequently president) in Austria, Alexander van der Bellen, who both announced his candidacy there and posted the requisite dancing videos.

The next speaker in this ICA 2024 conference session is Yifei Wang, whose interest is in political polarisation on TikTok. In the US, polarisation is especially also expressed through affective polarisation and results in political incivility. However, such incivility has been studied more commonly on text-based than video-based platforms; video-based platforms like TikTok remain severely understudied.

The second presenter in this ICA 2024 conference session is Andreas Widholm, whose interest is in the use of TikTok by right-wing users in Sweden. There has been substantial coverage of a scandal in Sweden during the recent EU elections that centred on the communication strategies of the far-right Sweden Democrats’ troll factory on social media, and while this was uncovered after the present study concluded, the concerns about a right-wing wave on TikTok already existed and motivated this work.

The next session at the Indicators of Social Cohesion symposium starts with the wonderful Katrin Weller, who begins by noting that her institution, GESIS, is now also launching DP-REX, the Data Portal for Racism and Right-Wing Extremism Research. But her talk is actually about assessing the impact of scientific impact through altmetric scores, with a particular focus on the engagement with scientific content that takes place in YouTube videos. The project uses data from Altmetric.com, who identified links to scientific articles in the descriptions of YouTube videos between 2006 and 2017.

The final speaker in this I-POLHYS 2024 session, and indeed the symposium overall, is Aidar Zinnatullin, who shifts our focus to Russia. This will examine the period in Russia before the full-scale invasion of Ukraine (from 2015 to 2021), when it was already a depoliticised society under authoritarian leadership and political stability was the central mantra of Putin’s rule.

The next session that I’m in at at ANZCA 2023 is on media and climate change, and starts with my QUT Digital Media Research Centre colleague Carly Lubicz-Zaorski, whose focus is on the mainstream media framing of UNESCO’s ‘in danger’ rating for the Great Barrier Reef on the Australian northeast coast.

The last day at ANZCA 2023 starts for me with a session on ‘freedom’ movements, and we begin with Ciaran Ryan and a paper on the 2022 ‘Convoy to Canberra’. This was a gathering of some 10,000 Australians in Canberra in early February 2022 to protest COVID-19 measures, and was inspired to some extent by the Canadian ‘Freedom Convoy’ to Ottawa, which blocked the city centre. Both convoys were largely organised and promoted through social media.