London.


The next speaker at Transforming Audiences is Uwe Hasebrink from the fabulous Hans-Bredow-Institut in Hamburg, focussing on a large study of young people's social Web use in Germany. Social Web use is a crucial tool in identity formation and expression today, of course, as well as in the managing and maintaining of relationships. The study, which Uwe conducted with his wife Ingrid Paus-Hasebrink, involved an analysis of relevant Web platforms, a qualitative study with young users, and representative telephone interviews with such users.

London.


The final speaker in this Transforming Audiences session is Floriana Bernardi; her focus is on the role of the audience for Roberto Saviano's book Gomorrah, a book on the mafia which was published in Italy 2006 and has been translated into some 40 languages (possibly the first such books to reach a large international audience). Gomorrah focusses on the banal everyday business of the mafia, rather than glorifying (or emotionally denouncing) the criminal life. It confronts the omertà - the resigned silence which prevents citizens from speaking out against the influence of the mafia on everyday Italian life.

London.


Jo Pierson and An Jacobs are up next at Transforming Audiences; their focus is on user innovation in creating new sociotechnical systems. Technology is layered, ranging from the application layer through presentation, session, transport, network, and data link layers to the physical layer; user innovation takes place to date mainly at the top of this layering, not in the lower levels. How can this be changed, and what tools are required to achieve it? How can the user be placed in control of the creative destruction which innovation can bring about - and indeed, what kind of innovation are we talking about?

London.


The post-lunch session at Transforming Audiences starts with a presentation by Mia Lövheim, whose study examines young (18-30 years) female A-List bloggers in Sweden. The interest here is not in link-blogging activities, but in the content created by the bloggers themselves, and the way they create identity and maintain personal relationships through these blogs; bloggers and readers in a way are co-creating the bloggers' identities here. How does this take place for A-List bloggers, though, whose popularity means that their posts are read by the established community of regular readers as well as by a much larger, more casual audience?

London.


The next speaker at Transforming Audiences is Richard Mills, whose interest is in the presence of the Beatles on YouTube. The Beatles' image was carefully guided and constructed by their manager Brian Epstein, of course, and the nascent music press of the early to mid-1960 bought strongly into that, creating Beatlemania and connecting it to the wider Swinging Sixties rhetoric. The Beatles themselves eventually reacted against this commercialisation and commodification, and gradually changed their image to embrace countercultural ideas. The evolution of Beatles iconography on their record covers over time also points powerfully to this shift, of course - from the identical suits and haircuts of the first albums to the blankness of The White Album.

Brisbane.


Bugger: the ANZCA 2009 programme incorrectly listed Brian McNair's keynote for 10 a.m. rather than 9 a.m., so I missed almost all of it - very, very frustrating. Hope someone else blogged it...

So, I'm now in the first panel session of this last conference day, and the first speaker in this session is Nazanin Ghanavizi, whose interest is in blogging in Iran - a very timely topic at this point, of course. She begins by noting that one of the most important factors of social life is being able to give voice to one's ideas. Iranian society is already highly active online, especially by blogging - Persian is a major blog language, with some one million blogs in Persian, even in spite of the comparatively small population of Persian-speakers worldwide.

Brisbane.


The final speakers for this ANZCA 2009 session are Sherre Delys and Marius Foley fromthe ABC Pool project. Sherre, its Executive Producer, comes from ABC Radio Arts, and one of the motivations for starting the site was in maintaining a space for radio arts as well as providing one for other forms of (especially collaborative) multimedia work. The overall idea was to open up public media as a conversation, to address the people formerly known as the audience. Part of this was also to partner with Creative Commons Australia and to use open source technology (Drupal is used as the platform for Pool).