Blog

Copenhagen.


The next session at COST298 begins with a paper by Eva van Passel, whose focus is on open and dynamic archives. Digitisation and digital preservation are increasingly seen as important strategies to safeguard audiovisual heritage - but the digital versions of such audiovisual materials are often almost as fragile as the original materials, due to changing standards. In Belgium, the BOM-Vlaanderen project drives some of the thinking on these issues - and it is especially interested also in incorporating user wants and needs into its process.

Copenhagen.


Finally we move on to Aylin Aydogan here at COST298. She, too, points to the changes associated with the rise of Web 2.0, and especially the emergence of user-generated content. Views of these changes as positive developments are hardly new, however - earlier Web-related developments were similarly seen as progress. Today, however, changes are very clearly driven by users and their motivations, and this is shifting the relationship between users and media organisations.

Past research in this context has focussed especially on the impact of citizen journalism and news blogging on news organisations; Aylin's study adds to this in the Turkish context. (She's taking a long time to take us through the existing work in this field, though - I wish she'd get to her work!)

Copenhagen.


We move on at COST298 to Stijn Bannier, who focusses on the musical network in the context of Web 2.0 (or 3.0, as the case may be). By 'musical network', Stijn means the network of artists, producers, labels, distributors, and other music industry institutions, which together constitute the industry itself. These are affected by the rise of Web 2.0, not least as it enables users to create, consume, share and remix music; this is potentially exacerbated by further developments towards Web 3.0.

Stijn points as an example to artist self-promotion and self-distribution on MySpace and elsewhere; to musical reproduction, tagging, and metadata sharing (e.g. on last.fm), which may also be analysed quantitatively; to distribution networks built on social networks, peer-to-peer filesharing, and other Web 2.0 media; and to the abundance of content which this creates. This is where Web 3.0 may come in, with its increased emphasis on metadata generation and evaluation.

Copenhagen.


Next at COST298 is Mijke Slot, whose interest is in user motivations in the online entertaiment domain in general. This is based on previous work surveying the possible roles users may take online, across a large number of Web 2.0 sites. Mijke begins by taking us through some of the perceived pros and cons of Web 2.0 first - the negative and positive side effects of user empowerment. But what does an actual observation of user roles tell us?

Mijke's research surveyed some 600 mainly Dutch Internet users, and examined their (self-reported) online roles - key terms here include consuming and communicating, but also creating and facilitating. Consumption, not unexpectedly, still dominates, though, and less active roles are carried out more often than more active forms of participation. However, there are also substantial generational differences here - younger users are online for longer, and engage in more activities; they engage in more novel activities, and are more active on social network sites; but they don't classify themselves as more skilled than the average (what they perceive as 'average' may differ from older age groups, though!).

Copenhagen.


Next at COST298 is Rita Espanha, who shifts our interest to the effects of peer-to-peer filesharing of movies on cinema in Portugal. She begins by taking us through the key features of European cinema (as opposed to Hollywood) - the different content and narrative style, the funding support by national governments and related institutions, and the comparatively more limited distribution.

There are a number of different consumer types here, too - traditional consumers (mainstream TV channels, regular cinema goers), mainstream consumers (mainstream channels, less frequent cinema goers), and innovative (networked) consumers (also using other media, and especially the Internet, to access cinema content).

Copenhagen.


I've made the trip to Ballerup again for the second day of COST298 (my last - tomorrow I've got to travel back to Germany). We begin with Ike Picone, whose interest is in user motivations for participation in produsing the news. Ike begins by extending the produsage model to a two-dimensional structure (from production to usage, and from passive to active; 'old media' are therefore largely passive and comsumptive, while many Web media forms also remain consumptive, but are more active (passive and active could also be translated here into 'lean back' and 'lean forward', then).

Copenhagen.


The final speaker at COST298 is Peter Mechant, who draws our attention to the different modes of participation in social networking, and begins by showing a number of existing approaches to understanding these different participatory modes. Interactivity can also be divided in user-to-user, user-to-document, and user-to-system interaction, and each of these forms of interaction can be further subcategorised (e.g. can documents only be accessed, or can users add information; indeed, can document creators specify the range of interactions which they wish to allow).

Copenhagen.


Lene Sørensen is up next at COST298, presenting on user demands for the next generation of social networking sites. Social networking is a very widespread activity now, and takes place across a large number of sites; it is no longer the domain of young users or a space for private activities only. Social network users engage in creative activities, and in self-management in relation to activities.

A number of further developments (towards Web 3.0 and Web 4.0) have already been foreshadowed by various authors - but what is it that actual users are interested in? To establish answers to such questions is non-trivial; for the most part, user expectations are limited by their knowledge of what is possible using existing information technology. Developers, too, operate mainly on their best guess of what additional features users may want.

Copenhagen.


The next speaker at COST298 is Brian Simpson, who also focusses on social networking, in this case in the context of the family. This relates especially to children's rights in cyberspace, to new parenting ideologies stressing surveillance and safety, and to the boundaries of childhood. Concern and overconcern regarding child safety have led to the development of new approaches to regulating family life through increased official guidance for parents - this may change what families are, in fundamental and unexpected ways. A related problem here is the overemphasis on child safety in relation to the Internet - and this also fails to consider its effect on family relationships through the externalisation of fantasies.

Copenhagen.


The final session at COST298 today starts with Romina Cachia, and she shifts our attention to social networking. How do such sites differ from other applications? They are built around the presentation of oneself, though a public display of information, and around this users socialise and form communities. Active users are thus integrated into the production process and into bottom-up activities. This reorganises Internet geography - and what's more, these sites are mostly free and easy to use, contrary to conventional homepages.