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AoIR 2023

Association of Internet Researchers conference, Philadelphia, 18-21 Oct. 2023.

Using AI to Analyse the URLs Shared on Facebook in the 2018 and 2022 Italian Elections

The third speaker in this AoIR 2023 session is the excellent Fabio Giglietto, who also works with the URL shares dataset provided by Facebook via Social Science One. He also utilises the generative artificial intelligence tools now provided by OpenAI in order to examine the themes of and partisan attention to the topics circulating in discourse surrounding the 2018 and 2022 Italian election campaigns.

Delegitimisation Rather than Populism as the Challenge Posed by Anti-Democratic Actors

Next up in our AoIR 2023 session is the wonderful Jenny Stromer-Galley, whose focus is on understanding the processes that led to the 6 January 2021 coup attempt in the United States. She builds on an analysis of every Facebook and Twitter post and Facebook and Instagram ad by Donald Trump and Joe Biden, and focusses here especially on Trump’s attacks on the integrity of the election.

Patterns in Engagement with Verified False Content on Facebook across the EU

The next session at AoIR 2023 is our own panel, and starts with a presentation by Jessica Walter and Anja Bechmann. Their focus is on influence processes surrounding verified false content across the EU, with particular focus on national differences between EU countries as well as differences driven by other demographic factors. The EU is relatively understudied with respect to the influence of mis- and disinformation, compared to the US and other countries.

White Supremacist Uses of Telegram

Third in this AoIR 2023 session is Reed van Schenck, whose interest is in the decline and reconstitution of the US alt-right after 2017 – from the ‘tiki torch’ marches to the 6 January 2021 coup attempt. A particular focus here is on Telegram, but much of the research so far has examined only the public Telegram channels, and not its private and secret channels where potentially even more problematic activities may be taking place.

The Insurrectionist Playbook in Brazil after Bolsonaro’s Election Defeat

The second paper in this AoIR 2023 session is by Marco Bastos and Raquel Recuero, whose focus is on the 8 January 2022 insurrection in Brazil, after the election loss of far-right president Jair Bolsonaro. They describe this insurrection as a form of connective action: a framework that has largely been applied to pro-social actions like Occupy or the Indignados, but can also be used to analyse anti-democratic actions.

Uses of Parler ahead of the 6 January 2021 US Coup Attempt

It’s unreasonably early in Philadelphia, and we’re at the start of the AoIR 2023 conference proper. I’m in a panel on extremism, and we start with Shawn Walker, Michael Someone, and Ben Gansky, whose focus is on the 6 January 2021 insurrection in the United States.

Towards a Reparative Media System

It’s that time of the year, and I’m in Philadelphia for the 2023 conference of the Association of Internet Researchers (continuing my 21-year streak of attending AoIR), which starts in earnest with the keynote by Aymar Jèan ‘AJ’ Escoffery. His focus is on reparative media, and he begins by noting that it feels like our collective harms are intensifying. This is exacerbated to some extent by corporate media, who often distribute the equivalent of fast, globally consumable food rather than slow and locally relevant content. This perpetuates injustices which require a particular approach to repair, including grassroots (re)distribution.

Power in the media and cultural industries is located in their cultural distribution systems (from development through production, distribution, and exhibition, to audiences, and thence repeating the cycle. This is true for all major platforms, including for example Netflix and other streaming services, which are often integrated with the major production studios to create a Hollywood-style streaming studio system (if not yet as well established).

The creators involved in these processes usually have no right of ownership over their creations; this is especially problematic for women and minority groups, and does not tend to produce diverse content. Minorities also remain underrepresented at the executive producer level. This also produces various other harms to them, for instance at personal, physical, and psychological levels; it also results in reductive storytelling that privileges a handful of major and often simplistic narratives.

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