Blogs

Canberra.
The next panel at Digital Humanities Australasia 2012 is starting with Tony Bennett, whose interest is in visualising socio-cultural relations. Franco Moretti has set out the differences between ‘seeing like a state’ (top-down, from above) and ‘seeing like a novellist’ (from within the space itself, in a contextually situated fashion). There’s also a way of ‘seeing like a sociologist’, Tony suggests – a map which makes visible the underlying social universe.

Tony’s aim here is to compare major studies on cultural tastes in Britain and Australia, using multiple correspondence analysis: a form of geometric data analysis which generates two clouds of points – of the individuals surveyed, and of the lifestyle modalities investigated. In both cases, items are located closer to one another in the cloud if they are more closely related.

Canberra.
The final speaker in this DHA 2012 session is Julie Freeman, whose interest is also in online political participation; her focus is on the City of Casey local government authority in Victoria, comprising a population of 256,000 citizens served by 11 councillors. How are online tools and platforms used in local government in this case?

Casey has its own council Website, of course, as well as a Twitter and Facebook presence (which is mainly used to disseminate media releases), the civic networking site Casey Connect (a council-provided platform for local clubs and associations to present themselves, at arms’ length from council) and the civic consultation facility Casey Conversations (a PhD project which offers discussion boards on key advocacy issues, without direct council involvement in the discussions).

Canberra.
The next speaker at DHA2012 is Sora Park, whose interest is in the processes of online discussion participation, initially especially in the context of the 100 days of political protest in South Korea in 2008. Different online discussion platforms have different affordances, of course – some will list only the most recent or most popular (or most recently popular) posts, for example, thus directing users’ attention towards specific contributions.

Canberra.
The first paper session at the Digital Humanities Australasia conference starts with a paper presented by Cynthia Witney, and deals with the differences between social networks and online communities. This is part of an ARC Linkage project which develops guidelines for an online community for breast cancer survivors, also sponsored by the Steel Blue boot company’s ‘purple boots’ philanthropic campaign.

Part of the aim here was also to move the campaign into a Web 2.0 space by developing a ‘purple boot brigade’ social network site; an early version of this network (based on Ning) attracted some 880 supporters. This early attempt at social networking successfully managed to spread awareness about the campaign and its cause; the site became a method for interactive social education.

Canberra.
It’s a rainy morning in Canberra, and I’ve made it to the inaugural conference of the Australasian Association for the Digital Humanities. The opening keynote is by Alan Liu, who begins by noting the rise of the ‘digital humanities’ concept, and its attendant controversies (what do we mean by the term, in the first place?).

Alan’s specific interest is in literary studies, and in the debate between ‘close’ and ‘distant’ reading. New critical close reading first forged the professional identity of the humanities, especially in literary studies, but distant reading has now emerged as a conscious agenda of the digital humanities, and is shaping new perspectives on academic literacies.

Twelve months ago Brisbane, and the South East Queensland region, were just about to begin the long process of recovery from the major floods which affected Toowoomba, the Lockyer Valley, Ipswich, and Brisbane itself. One of the more positive stories to emerge from the crisis, though, was how social media were used as a tool for sharing news and information about the disaster, and for assisting locals with organising the (significantly volunteer-driven) relief and recovery effort.

To document these uses – especially of Twitter, though Facebook was also important –, we’ve now released a major research report through the ARC Centre of Excellence for Creative Industries and Innovation, as an outcome from our overall efforts in researching the uses of Twitter and developing tools and methods for such research, which we’re sharing over on the Mapping Online Publics site. The report is available here.

Time for a quick update again: I’m hardly even back from the SBPJor conference in Rio de Janeiro in November, but my keynote “Gatekeeping, Gatewatching, Real-Time Feedback: New Challenges for Journalism” from the conference has already been published in the Brazilian Journalism Research journal, alongside the other keynotes. I posted the slides and audio from the presentation last month – and a similar presentation in German, from my visit to Vienna in March, is also online here.

When I arrived back in my office from the Rio trip, I was also very pleased to see that the Digital Difference book, collecting papers from the 2007 Ideas, Cyberspace, Education 3 conference on the shores of Loch Lomond, had finally arrived. It’s been a long road, but congratulations to the editors, Ray Land and Siân Bayne, for sticking with the project. My article, “Beyond Difference: Reconfiguring Education for the User-Led Age”, applies produsage concepts to explore new approaches to education.

Rio de Janeiro.
My own keynote presentation started the second day of SBPJor. Powerpoint and audio are below; the full paper (which attacks the topic from a slightly different angle, but makes much the same points) is also online.

My sincere thanks to Carlos Franciscato and the SBPJor organisation for the invitation to speak at the conference; it’s been great to meet some of the many Brazilian journalism researchers whose work I’ve been aware of for some time now. I’m sorry that because of the language barrier I’ve not been able to participate more fully in the conference itself, but I hope my contribution has been useful – some good discussion in question time, certainly!

Rio de Janeiro.
The next keynote speaker at SBPJor is Marcos Palacios (whose speech I hear in live translation, so we’ll see how this liveblog goes…). Marcos suggests that there are hurrahs as well as uh-ohs in the transformation of journalism for the digital media environment: in the first place, as we venture into a digital environment, we learn that media have memory – that there are more uses for yesterday’s newspaper than to wrap today’s fish.

News has been called the first draft of history, of course – journalism has an input into both historiography, and into the formation of the collective memory of societies. Such journalistic memory was only able to be used in a limited fashion during the pre-digital age; today, it is much more widely and permanently available. The place of memory in journalism production is growing, therefore; memory becomes the fabric that builds the journalism we are coming to know today, and is embodied in it. This enables historical analogies and nostalgia, for example, but also has many other uses.

Rio de Janeiro.
As part of my last overseas trip for this year, I’ve made it to Brazil for SBPJor, the conference of Brazilian journalism researchers – which opens with a keynote by John Pavlik. (My own plenary presentation follows tomorrow morning.) John’s focus is on the consequences of digital journalism for democracy: chief amongst these, disruption and innovation in the journalism industry; the emergence of a digital divide between those with and without access; the development of more robust interactive media; greater transparency in government; and increased civic participation.

Disruption and innovation is driven by greater access to high-speed wired and wireless Internet, as well as new (also mobile) technologies which enable us to connect to these networks. Additionally, the global economic downturn also presents great challenges for the media to reinvent themselves; this has been a problem for the mainstream media, but also provides opportunities for new media players to step into the breach.