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I'm spending the morning at the 2008 Arts Libraries Society of Australia and New Zealand conference, at the Queensland State Library. I'm afraid I'm only here for the opening keynotes (one of which I'm giving) - my hectic schedule for this week between overseas trips doesn't give me any more time to see what else is happening.

The first keynote speaker this morning is Kathryn Greenhill from Murdoch University, presenting on the possibilities of Second Life as a platform. She begins by taking us on a flight around Info Island - the central library island in Second Life - and follows this with a quick explanation of what Second Life is and how it works. The aim here, she notes, is immersion, not just information.

So, last Saturday I went to the Future of Journalism event in Brisbane (and spoke on one of the panels). Contrary to my usual practice, I didn't live-blog the event - panel-based events are notoriously difficult to blog. Here, then, are some reflections on what I saw - adding to comments already posted by Mark Bahnisch, Marian Edmunds, Cameron Reilly, and Bronwen Clune, among others.

The event began well, with Margaret Simons setting the theme with her usual insightful comments. Her observations about the troubled economic future for the journalism industry (and here, especially newspapers) are …

The Media and Entertainment Arts Alliance (the key union for Australian media workers) has recently begun to organise a series of events titled "The Future of Journalism", bringing together industry and citizen journalists, academics, and other media experts to explore future developments in the news media. The first of these was held in Sydney in May, covered by Jason Wilson at Gatewatching and Rachel Hills at New Matilda, and now it's Brisbane's turn - at QUT's Gardens Theatre on 13 September 2008.

Singapore.
The ISEA 2008 conference is pretty much over now - the last event broadly connected with it is a talk by new media theorist Lev Manovich in the beautiful Lasalle arts space. With a title of "Cultural Analytics", I wouldn't be so surprised if this was going to be pretty close to what my colleagues at QUT have in mind when they talk about cultural science...

His aim here is to extrapolate from current to future cultural trends, and he notes that such futurism is traditionally very difficult. Part of his approach, therefore, is to develop new projects with his students which may have the potential to set new trends themselves. Overall, he says, we'll see a very significant new cultural development that builds on data mining and data visualisation technologies.

Singapore.
The day five session at ISEA 2008 continues with Greg Giannis. He presents his work through a mapping interface he's been working on for some time; the aim here is to engage in subjective mapping - which maps media objects (texts, images, sound, video) captured live while moving in the physical work onto a map operated through an experimental Website. Display on the Website uses what Greg calls semantic zooming - more information from captured objects is revealed as the user focusses on them by zooming in.

Such mapping aims to investigate our sense of place, and there is currently something of a crisis in the cartographic community, Greg suggests, driven by changes in approaches to mapping; the community is looking towards artists to help them develop new approaches to cartography, and this is similar perhaps to the crisis in art as it emerged with the advent of photography. What's especially interesting here is the possibility of collective mapping (which can also serve as a form of collective resistance against the increasingly engineered sense of individual subjectivity).