IAMCR 2024

The post-lunch session that I’m attending at IAMCR 2024 is on communication around the war in Ukraine, with a particular focus on cultural heritage; I stars with Natalya Chaban. Russia’s full-scale invasion of Ukraine has presented a new challenge here: a weaponised state is threatening Ukraine’s history and culture, and heritage sites are not simply collateral damage but are being actively targetted by Russia’s unprovoked aggression. Culture itself is thus a driver of conflict.

The final speaker in this IAMCR 2024 session is Lihan Yan, whose focus is on tweets in the 2020 US presidential election. She uses the perspective of narrative economics as a framework for interpretation here, combined with the cascading network activation model: this indicates how frames are activated by the elite, and disseminated through news media to affect the public’s political decision-making process.

The next speaker in this IAMCR 2024 session is Yunfang Cui, addressing public debate about the ‘secret photography’ incident on the Guangzhou subway in 2023, where a middle-aged man secretly photographed young female travellers. The discussion of this incident on Weibo can be seen as an example of group polarisation.

I presented the second paper in this session, on patterns of communication in the failed 2023 Voice to Parliament referendum on improving representation and participation for Australia’s Indigenous peoples. As part of this we also developed a new methodology we describe as practice mapping – more detail on this later. Here are the slides:

It’s an early Monday in Christchurch, which means I must be at IAMCR 2024. I’ll present later in this session, but we begin this session with Linda Kong, whose focus is on the short-video addiction of rural Chinese elders. Young people in China are in fact worried about the substantial increase in the short video watching by elderly Chinese, and there even concerns about short-video addiction.