Blogs

I posted the call for papers for the upcoming 'copy' issue of M/C Journal today:

FOR IMMEDIATE RELEASE - 18 April 2005

M/C - Media and Culture
http://www.media-culture.org.au/
is calling for contributors to the 'copy' issue of

M/C Journal
http://journal.media-culture.org.au/

M/C Journal is looking for new contributors. M/C is a crossover journal between the popular and the academic, and a blind- and peer-reviewed journal.

Don't know why this is suddenly all happening now, but I've been contacted by a good cross-section of the Australian media over the last couple of days. In addition to the Online Opinion piece which is now up, at first Jennifer Dudley from Brisbane's Courier-Mail approached me as an expert commentator on blogging; she's published an article about information addiction in today's issue (which itself is based on a posting by blogger Om Malik who points to a kind of 'Internet Anxiety Disorder' that results from the vastness of information now available to everyone). Then I was approached by Peter Gooch from ABC radio to do a live interview on the same topic, sparked by that article. I was on air around 1.30 p.m. today.

A good meeting with Jo Jacobs and our research assistant Ian Rogers today, to move forward on the Uses of Blogs book. We've signed the book contract now and it's on its way back to Peter Lang in New York. We'll be sending out an update to our contributors shortly, to work out the deadlines leading up to delivery of the manuscript in early November. The more we work on this, the more this is shaping up to be a great collection. The enthusiasm displayed by our contributors (as well as by Jo and Ian) is great, and we do seem to have managed to collect a stellar cast of bloggers and blog researchers. It's a pleasure to work with such a supportive publisher as well!

The Speculation and Innovation conference is now coming to a close with a final plenary session. Brad haseman discuses what events might be possible in the future. For example, there might be further seminars, such as a one-day seminar on categories and research points to supervisors of practice-led research, or seminars aimed at how we can construct programmes to induct research students into research practices relevant to practice-led research. Other suggestions for future action would be to rework expectations of the exegesis in creative practice as research higher degree projects (to find a better word), or a project to build structures across institutions in the creative arts, media, and design sector to advocate quality at a national level.

We're starting on the final plenary sessions at SPIN now. The first speaker here is Toss Gascoigne from CHASS, the Council for the Humanities, Arts, and Social Sciences. Toss notes the fact that the HASS sector is wildly underrepresented within the government sector - while there are organisations representing the sciences and other areas, and an Australian Chief Scientist, there is no such representation for the HASS field. Toss and his organisation are working on changing this, and some of their work was presented yesterday already (see e Commercialisation in the Humanities). Unfortunately, of course, the HASS sector is also measured in terms of its validity using science-derived rules (publications output etc.), and CHASS has been asked by the federal government to provide alternatives to such measures. Toss also points out the continuing need for organisations in the HASS sector to become members of CHASS and take part in its decision-making and advisory processes.

My colleague Chris Barker is next, and begins with a reflection on his reflective work as a practitioner. Reflection enables unfocused intention, soul-sustaining idle activity, focused action in 'the craft', and novelty in practice. Chris has worked in animation in various roles, and now reflects on the changes in animation which have influenced his experience. His aims in reflective practice have been to introduce a methodology that was more like his previous creative practice, to allow for the emergence of surprising, new, and innovative content, to facilitate higher-order reflective behaviours, to have fun in the process through exploring the unknown, and to use the process to interrogate the idea of reflection-in-action.

The next session begins with a presentation by Luke Jaaniste, Damien Barbeler (who couldn't be here), and Toby Wren; I'm actually chairing this session so we'll see how much of it I can blog. They're coming from a musical background in composition and performance, and their interest is mainly in how music and performance links to other discursive fields. They were part of a group called Compost through which much of their work has taken place, and note that through this they've situated themselves outside of the academy. Their work shows a shift from an arts production group to a practice-led research model, and they're also suggesting that their work is in actuality a form of scientific test through which various types of data can be researched within a site. this involves a move from a premiere performance model to a multiple version approach. Such an approach then also enables increased feedback from the new music industry, and means that it can compete for research rather than pure arts funding - this also enables research and development work rather than simply the work of setting up and conducting a performance.

Up next at SPIN is Rod Wissler, Director of Research and Research Training at QUT - he begins by stressing again the question of innovation in addition to a focus on artistic practice; this also enables artistic practitioners to measure the impact of their work. He notes the long-term impact, for example, of a work such as James Joyce's Ulysses on the Irish economy, even though such impact would have been entirely impossible to forecast at or before the point of publication of the book. This is a problem for artists attempting to claim their relevance and significance, of course, and points to the continuing need for advocacy by bodies such as CHASS.