Social Media

The next speaker in this IAMCR 2019 session is Asta Zelenkauskaite, whose interest is in micro- as well as macro-perspectives on influence in online contexts. This understands influence as non-linear and context-dependent, mediated by available media and information infrastructures and their affordances.

The next speaker in this IAMCR 2019 session is Scott Wright, who begins with a brief history of the ‘fake news’. There are actually false news stories, news stories that are described as ‘fake’ by politicians such as Donald Trump for political reasons, and false information that is deliberately disseminated by politicians for such reasons.

The next speaker in this entertaining IAMCR 2019 session is Adeyanju Apejoye, whose focus is on ‘fake news’ in the 2019 Nigerian presidential election. ‘Fake news’ has become a critical issue in Nigerian politics, given the highly contested nature of the campaign, the shortcomings of Nigerian mainstream media, and the increasing role of online and social media in the country.

The next speaker at IAMCR 2019 is Edson Tandoc Jr., who begins by pointing out the continuing shift to online and social media as a critical source of news – in Singapore, some 47% of users now access news via Facebook, for instance. This also enables audiences as well as news organisations to engage in promotion, distribution, data collection, and engagement around the news.

The next speakers at IAMCR 2019 are Thomas Eckerl and Oliver Hahn, whose interest is in the role of Instagram in political communication in Germany. The adoption of such platforms for political communication is an example of growing mediatisation in society as such, and in politics in particular, as well as a sign of the continuing shift towards more participatory media forms and from top-down to bottom-up communication over the past two decades or so.

The second paper in this IAMCR 2019 session is presented by Klaus Zilles, whose focus is on the distribution of disinformation on WhatsApp. The messaging platform has been embroiled in disinformation events in a number of countries in recent times, and has now begun to fund several research projects into the phenomenon, including the present study in Spain.

We finish the sessions at the 2019 AoIR Flashpoint Symposium with our second keynote, by Rebekah Tromble. She begins provocatively by suggesting that we as digital media researchers need to get over ourselves, so this should be interesting.

Many of the current problems for digital media research stem from the Cambridge Analytica scandal, which resulted in the shutdown of many of the primary sources of social media research data – especially the Application Programming Interfaces (APIs) of leading platforms. Most applications for API access to Facebook are now denied, for instance; the Instagram platform API was scheduled for shutdown even before the Cambridge Analytica scandal broke; and even what is left of the Instagram graph API is now severely restricted. The Twitter search and streaming APIs remain comparatively open, but there are significant and increasing limitations to their functionality, too.

The final speaker in this 2019 AoIR Flashpoint Symposium session is Tetyana Lokot, who points out the value of ephemerality for citizens living in autocratic regimes. Russia is one example of this: there are significant differences in how the state and its citizens define what networked citizenship means, and ephemerality plays an important role in this context.

The next speakers at the 2019 AoIR Flashpoint Symposium are Lucia Bainotti and Alessandro Gandini, who at presenting a tentative research protocol for studying Instagram stories. Stories are a means for sharing ephemeral content rather than permanent posts on the platform, and such ephemeral content has also become more popular across a wide range of other social media platforms. This represents an overall shift from an archival to a more ephemeral culture.

The next speaker in this 2019 AoIR Flashpoint Symposium session is Esther Hammelburg, who uses ethnographic as well as digital methods to study mediatised events. For such events, this work might include online and on-the-ground observations; screenshots of Instagram stories; Instagram posts themselves, as gathered via the API when it was still available; media diaries; and interviews with participants.