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Changing Political Campaigning Strategies in Sweden

The final speaker in this AoIR 2019 panel is Anders Olof Larsson, whose focus is on the developments of online political communication in Sweden – this covers the 2010, 2014, and 2018 national elections. His focus is especially on the rise of populism in Swedish politics, and the platformisation of messaging in election campaigns.

The Dynamics of Internet Use in Danish National Elections

The next speaker in this AoIR 2019 session is Jakob Linaa Jensen, who focusses on the Danish political environment. He and his colleagues conducted surveys amongst Internet users in four Danish election campaigns (2007, 2011, 2015, and 2019) to examine their experiences with the role of social media in national elections. Denmark has a multi-party system, and Facebook is clearly the leading social media platform here.

Changes in U.S. Gubernatorial Social Media Campaigning from 2014 to 2018

The next speaker in this AoIR 2019 session is the fabulous Jenny Stromer-Galley, who shifts our focus to 2014 and 2018 gubernatorial campaigns in the United States. She begins by noting the significant growth in negative advertising in U.S. elections, and this increase may also have led to a gradual decline in voter turnout as well as a general mistrust of political and democratic institutions.

Understanding the Diverging Dynamics of Conspiracy Theories on Twitter

The final speaker in this AoIR 2019 session is QUT DMRC PhD graduate Dr. Jing Zeng, whose focus is on the automated dissemination of conspiracy theories on Twitter – including suggestions that celebrities like Justin Bieber, industry leaders like Mark Zuckerberg, and royals are actually shape-shifting lizards; that planes spread mind-controlling chemtrails; that the Earth is flat; or that the California wildfires were started by a new energy weapon created by the U.S. government.

Bots in the German Twittersphere

The final day at AoIR 2019 begins for me with a panel on social media bots, and the first speakers are Felix Münch and Ben Thies who present a paper that I have also contributed to; the slides are below. Social bots have become quite prominent in media coverage of social media in recent times, with particular focus on platforms like Twitter, but it is difficult to assess just how prevalent they are on such platforms, partly also because it is difficult to get a sense of the make-up of larger social media populations.

Practices of Unfriending between Palestinian and Jewish Israeli Citizens

The next speaker in this AoIR 2019 session is the excellent Nik John, presenting a paper co-authored with Aysha Agbarya. Their focus is on Facebookunfriending practices between Jewish and Palestinian citizens of Israel during the Israel-Gaza conflict of 2014. From past studies, we already know that it is especially people with strong political views who unfriend, and such unfriending severs weak ties especially frequently; it also results from encountering unwanted group communication styles or online propaganda, and is used to manage one’s own personal public sphere in social networks.

Facebook Pages in the European Migration Crisis

I’ve spent all morning with AoIR business (and moved into my role as Past President), but this afternoon I’m finally attending another AoIR 2019 session, starting with the fabulous Luca Rossi. His focus is on the digital practices of migrants as they navigate the European border regime, especially in the context of the 2015/16 migration crisis.

Political ‘Buzzers’ on WhatsApp in Indonesian Elections

The final speaker in this AoIR 2019 session is Emma Baulch, who shifts our focus to Indonesian activist uses of WhatsApp. She focusses on ‘buzzers’: content creators who work especially in the context of Indonesian election campaigns and promote specific political candidates across various social media platforms.

The Weaponisation of WhatsApp Memes in Malaysia and Singapore

The next speaker in this AoIR 2019 session is Niki Cheong, who continues our focus on the uses of WhatsApp in Malaysia and Singapore. His project investigates the weaponisation of popular culture for political issues, in particular, and drew on walkthrough and scrollback methods as well as digital ethnography, interviews, and surveys with users.

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