The final speaker in this AoIR 2019 session is Arnt Maasø, who shifts our attention to the role of metrics in the music business. Datafication has grown in the music industry as well, with a strong turn to metrics in recent years. Where some decades ago the industry was run by self-taught entrepreneurs who were running their businesses predominantly by gut instinct, now music metrics are everywhere and directly influence decision-making.
Arnt’s project conducted surveys and interviews with professionals in the Norwegian music industry. Almost half of the survey respondents use music metrics in their jobs, but such use is …
The next speaker in this AoIR 2019 session is my colleague Kim Osman, presenting outcomes from our research project in collaboration with The Conversation and the Cooperative Research Centres Association in Australia. We are interested in assessments of the public value and impact of scholarly work, which are also increasingly demanded by the governments that fund scholarly research. Slides here:
Increasingly, platforms like The Conversation as well as social media are also critical to the engagement with and impact of scholarly research, and there has been a rise in the development of scholarly …
It’s Thursday morning, and after the fabulous opening keynote by Bronwyn Carlson last night the AoIR 2019 conference at QUT in Brisbane is now getting started properly. This morning I’m in a panel on metrics in journalism, academia, and music that begins with a paper I’ve been involved in, and which my colleague Aljosha Karim Schapals will present. The slides are here:
Our key question here is whether journalism metrics are trustworthy enough to be used in editorial decision-making. This is part of a larger project on the future of journalism in a post-journalism …
Rafael Grohmann from the Brazilian blog DigiLabour has asked me to answer some questions about my recent work – and especially my new book Are Filter Bubbles Real?, which is out now from Polity –, and the Portuguese version of that interview has just been published. I thought I’d post the English-language answers here, too:
1. Why are the ‘filter bubble’ and ‘echo chamber’ metaphors so dumb?
The first problem is that they are only metaphors: the people who introduced them never bothered to properly define them. This means that these concepts might sound sensible, but that they mean …
Well, it’s mid-year and I’m back from a series of conferences in Europe and elsewhere, so this seems like a good time to take stock and round up some recent publications that may have slipped through the net.
The next speaker in this IAMCR 2019 is Marie Falk Eriksen, whose interest is in the introduction of robotic journalism at the Danish news agency Ritzau. Such technologies are now known under a number of terms, and describe an algorithmic process that converts data into news text with limited or no human intervention. What effects this will have on journalistic practices in the longer term remains to be seen.
Ritzau has introduced such robotic journalism tools for its financial reporting: building on predesigned story templates and standardised company earnings data, the tools will generate standard articles that report on the …
The next speakers in this IAMCR 2019 session are Changfeng Chen and Wen Shi, whose focus is on the ethical dimensions of AI-driven ‘fake news’ detection – as part of many ethical issues related to artificial intelligence more generally.
Detection mechanisms fall into two broad categories: context model-based and social context-based algorithms. The former of these applies deception detection approaches to news texts: it searches for linguistic clues about lies and truth in the articles. This can detect rumours and misinformation from the rich linguistic clues present in such articles.
Such models build on corpora of ‘fake’ and ‘true’ news …
Rafael Grohmann from the Brazilian blog DigiLabour has asked me to answer some questions about my recent work – and especially my new book Are Filter Bubbles Real?, which is out now from Polity –, and 
But let’s begin with a reminder that my book 
