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The next speaker in this AoIR 2017 session is Marco Bastos, whose focus is on the Brexit referendum. He notes that a substantial number of bots were active in the Brexit debate on Twitter, yet many of these accounts disappeared immediately after the referendum. But it is also important to distinguish between different bots: there are legitimate bot developers that offer such accounts, while genuine, highly active users are sometimes also misidentified as bots.

The third speaker in this AoIR 2017 session is Kirsten Gollatz, whose focus is on the institutionalisation of the 'fake news' controversy in Germany. The debate on 'fake news' there continues, and the term itself is controversial; it has now entered the German dictionary, but nonetheless remains ill-defined. There is an ongoing renegotiation of the norms, rules, and responsibilities of the various relevant actors in this context.

The next speaker in this AoIR 2017 session is Johan Farkas, whose focus is on 'fake news' in Denmark. he begins by suggesting that we are now entering a hyper-factual era: digital media are transforming our definition of news, and political leaders have been capitalising on this by creating their own definitions of news. This has also been described as an era of 'post-truth', but at the same time we have rarely talked more about what is 'true' and what is 'false' than we do today.

The next session at AoIR 2017 is a panel on 'fake news', and begins with Giorgio Bertolin, from NATO (!). 'Fake news' is also an issue for NATO as a military alliance, of course, and NATO is about to publish a report on the issue that is called Digital Hydra. The focus is on exploring activities across different platforms, examining the role of blogs, and studying 'fake news' sites.

The final speaker in this AoIR 2017 session is Elizabeth Losh, whose interest is in the role of devices in the 2016 U.S. presidential election. Barack Obama was seen as associated with a broad range of constructive as well as destructive devices, from personal mobile phones to impersonal drones, while Donald Trump is associated mostly with the tweets sent from his mobile phone. But what about Hillary Clinton?

The next speaker at AoIR 2017 is Olga Boichàk, who begins by highlighting the role of social media platforms in structuring specific forms of human sociality. But this also means that automated accounts – specifically, bots – can imitate and affect genuine human interactions in these spaces. What does this mean for online discussions in the context of the 2016 U.S. election campaign, then?

The second presenter in this AoIR 2017 session is Adrian Rauchfleisch, who begins by highlighting the highly combative and complex nature of the 2016 U.S. election campaign. Counterpublics played an important role here, too; new actors – especially on the right – were able to make their voices heard during the campaign, through some more established actors (Fox News, and Trump himself) also claimed not to be part of the mainstream.

The second day at AoIR 2017 starts with a panel on the U.S. elections in 2016, and Patrícia Rossini is the first speaker. She notes the limited focus in the past on how voters interact with election campaigns; much of the research has paid attention simply to the campaigning strategies themselves. But there is also evidence that users encounter a good deal of campaigning in their social networks, though they do not necessarily like doing so – in part because the discourse can be heated, emotional, and uncivil. Further, reactions to some discourse differ based on whether users agree or disagree with the uncivil statements being made.

The first keynote at AoIR 2017 is by Andrew Chadwick, who explores what the 2016 U.S. presidential campaign means for our understanding of the hybrid media system. Political communication is in the middle of a chaotic transitional period, due in good part to the disruptions brought by newer, digital media; some older media have also been renewed by integrating the logics of newer media. This then represents a systemic perspective that examines forces while they are in flow.

The hybrid media system is built on the interactions of older and newer media logics in the reflexively connected field of media and politics. Actors in this field tap and steer information flows in ways that suit their goals, enable or disable the agency of others, across various older and newer media settings. 'Hybrid' here shifts our conceptualisation from 'either/or' to 'not only, but also'; it foregrounds complexity, interdependence and transition. We pay more attention to boundaries, flux, and liminal spaces, where practices intermeshing and co-evolve.

The final paper in this AoIR 2017 session is by Gemma San Corneliu and Antoni Roig, whose focus is on the study of selfies as performed personal narratives, in a broader context of narrative texts. How may such selfies be understood through an alternative genealogy that conceptualised selfies as small narratives?