Dresden
My next session again involves Mark Latonero, speaking on remix culture. (I missed the session's previous presentation, on the World Trade Organisation.) Mark describes the delegitimising force of traditional copyright industries, but notes the rise of alternative modes which involve the active production of content by non-traditional producers operating outside the status quo production processes, in a user-based, bottom-up, and grassroots mode. Remixing embodies a set of social practices that are indicative of digital technologies imbued with an ideology of freedom. Are remixers aiming to transcend the constraints of space and time? What are their cultural characteristics and personal identities?











