Coming up next at ANZCA 2017 is Lyell Durkin, who shifts our interest to the media representations of skateboarding (now also an official sport of the 2020 Tokyo Olympic Games). There are many different views of skateboarding, but skateboarders themselves are regarding their practices as an art and a lifestyle; this view is also represented in the skate media emerging from the community itself.
Next up at ANZCA 2017 is Chris Chesher, who begins by pointing out the increasing role of real estate agents as media producers. Agents selling homes produce public representations of private spaces, portraying the home to be sold as personal and family space, and offering it up for (mediated as well as in-person) inspection. In Australia this occurs mainly through one or both of the duopoly sites Domain and RealEstate.com.au.
The next ANZCA 2017 speaker is Glen Fuller, who begins from a focus on cycling cultures. Cycling spans a number of research areas from transport and urban planning to cultural studies and health; there have been a series of national cycling strategies, which always aim to increase the number of people actively engaged in cycling, but these rarely achieve their lofty aims, and it is therefore necessary to further explore the reasons for the present stagnation.
After a great opening panel at ANZCA 2017 (which I didn't blog because discussion panels are generally too difficult to blog) I'm now in the first paper session, which starts with Pip Shea's paper on maker spaces. She presents a number of case studies from around the world, including the cross-sectarian Temple project from Northern Ireland; these create local civic communication worlds.
This is not to say that Hywood does not deserve a CEO-level salary, of course. But in light of the criticism of the job losses at Fairfax, his defence of executive pay levels was tin-eared, to say the least:
We pride ourselves on providing above-market salaries. … We need good people to work at this business. You don’t fix the issues confronting the media business by doing the same thing again and again, and expecting a different result.
We’re already deep into February 2017, but I thought I’d finally put together an overview of what I’ve been up to during the past year, at least as far as research outputs are concerned. It’s been a busy year by any measure, with a number of key projects coming to completion; research publications from some of these are still in production, but here’s what’s already come out.
Finally for this session and for ECREA 2016, Richard Fletcher directs our attention to the question of paying for online news, drawing on a six-country study of online pay models. Such models have been a major concern in the industry for a long time, but have remained elusive; there are also few findings in the research that are consistent across different national media systems.
The next speaker at ECREA 2016 is Karoline Ihlebæk, whose focus is on social media regulations in Norwegian news organisations. These are related to questions of trust, legitimacy, and changing professional ideals: journalistic adoption of social media has at first been unregulated, but news organisations are now increasingly seeking to regulate this to fend off any potential negative implications. This is also a question of power within these organisations. Such power need not always be negative and restrictive, however: it may also be supportive and empowering for journalists.
I'm chairing the final session at ECREA 2016, and once more we're talking about the future of journalism. Ulrika Hedman is the first speaker, and she begins by highlighting the increasing amount of social media monitoring that is being done by the early adopters amongst professional journalists. Such journalists are beginning to combine news media logic and social media logic, and this makes their professional activities considerably more complex.
Taking a quick break from liveblogging the paper sessions I've seen, I was asked to do a quick interview for the ECREA 2016YouTube channel – and it's online already. So, here's a quick chat about the future of journalism, and a preview of the themes of my upcoming sequel to the Gatewatching book: