It’s Wednesday, I think, so I’m in Dublin for the first face-to-face AoIR conference since AoIR 2019 in Brisbane. It’s genuinely delightful to be amongst this wonderful community again at last. As usual, the conference starts with the conference keynote by Nanjala Nyabola, addressing the conference theme of Decolonising the Internet. She begins by noting that the vast majority of people experience the Internet in a foreign tongue; and it is appropriate to address this issue in Ireland, which has had its own history of having its national identity and language suppressed for so long.
Nanjala’s keynote is based on research which worked to translate keywords from Internet research into Kisuaheli, and the assumption from others has always been that this was an AI and natural language processing project; but it was not, and the real question is what it means to be human in the digital age. This was also her first academic paper in Kisuaheli; it was a project in decolonisation. How does this even happen? Ultimately, as so often, the story begins with the arrival of the British: the colonisers. And too many people in the world still don’t know what it means to be colonised – the damaging, scarring disruption of history and culture; one of the darkest and bloodiest chapters in human history that reorganised societies for the economic benefits of imperial power, and a form of bureaucratised murder, systematised rape, and legitimised robbery.
In Kenya this lasted less than a century, but in the last decade of colonisation alone tens of thousands were killed, often simply for speaking out against oppression. In addition, lives were disrupted by introduced pests and diseases. This form of structural violence was documented in the files of the occupiers, but the larger loss of culture is less measurable, and the patterns of colonial administration often still continue. And the intention of the violence was to reorganise society to make money; to create ideal labourers – including by rooting out local languages by force in schools. That legacy still endures, and the trophies of this violence still remain in British museums, while culture is still being reclaimed and relearned.