Government

The next speaker in this IAMCR 2024 session is Xiting Tong, whose interest is in the rhetorical and political community JianZheng in China. She begins with a metaphor of biological community organisms like the Aspen trees in Utah, which are connected by their roots and form one large organism.

The third speaker in this IAMCR 2024 session is Zaneera Malik, whose focus is on the use of social media as a strategic political communication tool in the fragile democracy of Pakistan. The focus here is especially on the PTI party, led by former cricket star Imran Khan, which lost the February 2024 election.

The next speaker in this IAMCR 2024 session is Yuan Zeng, whose interest is in the tactical uses of social media and their platform affordances by young people in China. This is especially against the backdrop of the ‘zero-COVID’ lockdown in China in 2022.

The next speaker in this IAMCR 2024 session is Nazira Bairbek, whose focus is on the impact of the Russian invasion of Ukraine on Kazakhstan; some Russian users in Kazakhstan responded to the invasion by asking Putin to annex Kazakhstan as well, for instance, while many Kazakh people took the side of Ukraine and feared Russian aggression against their own country.

The next speaker in this IAMCR 2024 session is Caixie Tu, whose interest is in Hong Kong residents’ discussions about government ordinances on social media. The key question here is who speaks out on social media, and for what reasons.

The next speaker in this IAMCR 2024 session is Debadatta Chakraborty, whose focus is on the transnational authoritarianism of the Indian Hindutva movement. Indeed, the movement has been pushing for the replacement of the colonial name ‘India’ with the term ‘Bharat’, a traditional Hindu name for the country.

The next speaker in this IAMCR 2024 session is Kerry McCallum, whose interest is in the media logics surrounding public inquiries into child abuse, focussing especially on the Royal Commission into Institutionalised Responses to Child Sexual Abuse in Australia, in 2013-17.

The final speaker in this IAMCR 2024 session on Ukrainian cultural heritage narratives is Dmitry Romanenko, whose focus is on Chinese narratives on the Russian war against Ukraine.It has already been observed in some studies that Chinese media like the Global Times usually take a pro-Russian stance that’s justifies the war in Ukraine; however, an alternative perspective is that China’s public messaging is predominantly designed to promote its own, and not Russia’s, interests, and that it does not explicitly endorse the war.

The third speaker in this IAMCR 2024 session on cultural and heritage narratives surrounding the war on Ukraine is Shalabh Chopra, who begins by highlighting the changes in global power structures; in this the newly multipolar world the Global South is not readily on the side of the west in major conflicts, and may therefore also be less sympathetic towards Ukraine in the current war.

The post-lunch session that I’m attending at IAMCR 2024 is on communication around the war in Ukraine, with a particular focus on cultural heritage; I stars with Natalya Chaban. Russia’s full-scale invasion of Ukraine has presented a new challenge here: a weaponised state is threatening Ukraine’s history and culture, and heritage sites are not simply collateral damage but are being actively targetted by Russia’s unprovoked aggression. Culture itself is thus a driver of conflict.