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The next speaker in this AoIR 2019 session is my colleague Kim Osman, presenting outcomes from our research project in collaboration with The Conversation and the Cooperative Research Centres Association in Australia. We are interested in assessments of the public value and impact of scholarly work, which are also increasingly demanded by the governments that fund scholarly research. Slides here:

Increasingly, platforms like The Conversation as well as social media are also critical to the engagement with and impact of scholarly research, and there has been a rise in the development of scholarly …

It’s Thursday morning, and after the fabulous opening keynote by Bronwyn Carlson last night the AoIR 2019 conference at QUT in Brisbane is now getting started properly. This morning I’m in a panel on metrics in journalism, academia, and music that begins with a paper I’ve been involved in, and which my colleague Aljosha Karim Schapals will present. The slides are here:

Our key question here is whether journalism metrics are trustworthy enough to be used in editorial decision-making. This is part of a larger project on the future of journalism in a post-journalism …

It’s finally here – the 2019 Association of Internet Researchers conference has begun on my home turf at the QUT Digital Media Research Centre in Brisbane. We begin with a keynote by Professor Bronwyn Carlson, who opens by highlighting the continuing digital divides experienced by Indigenous Australians – while social media platforms are increasingly popular with these communities, access is largely via mobile technologies, and unevenly distributed across regions and age groups.

Bronwyn’s work has long focussed on the uses of social media by Indigenous Australians, and increasingly also on help-seeking activities on social media platforms. This year’s conference theme …

The very final session at IAMCR 2019 features a keynote by Jeff Jarvis, who begins by describing him self as ‘not as real academic, but just a journalism professor’. His interest here is in looking past mass media, past media, indeed past text, past stories, and past explanations.

We begin, however, with Gutenberg’s (re)invention of the printing press in 1450, and the subsequent invention of the newspaper in 1605 and its gradual industrialisation. But print as a commercial and copyrighted model was perhaps an aberration: Tom Pettitt has written of the Gutenberg parenthesis: a business model which emerged from the …

The next speaker in this IAMCR 2019 is Marie Falk Eriksen, whose interest is in the introduction of robotic journalism at the Danish news agency Ritzau. Such technologies are now known under a number of terms, and describe an algorithmic process that converts data into news text with limited or no human intervention. What effects this will have on journalistic practices in the longer term remains to be seen.

Ritzau has introduced such robotic journalism tools for its financial reporting: building on predesigned story templates and standardised company earnings data, the tools will generate standard articles that report on the …

The next presenter in this IAMCR 2019 session is Jeremy Shtern, who begins by noting that the quantification of the influence of online and social media actors is a tricky problem – but it may not be as hard to qualify such influence. It is important in this context to understand online environments as working largely on the basis of a monetisation philosophy, too.

Online influencers are individual content creators in online and social media spaces who monetise their large followings to advertise particular products and services. Such influence can also go badly wrong, however, as influencers choose the ‘wrong’ …

The next presentation in this IAMCR 2019 session is by Elinor Carmi, whose interest is in the power behind spam, noise, and other disruptive behaviours. In most forms of creative media, there is a form of direction, often aimed at generating an emotive response from the audience. This is also true in online spaces, where we are directed by algorithmic rhythms. We might be able to understand these by borrowing concepts from sound.

The intentions of a theatre director and a social media executive are quite different, however; they seek to engender different audience responses. In social media, for instance …