Vienna.
The next speaker at Challenge Social Innovation 2011 is Sean Ryder, who begins by noting the idea that more humanities funding should be channelled to the way cultures communicate with each other, and that such research could significantly address social innovation. More broadly, though, what can humanities research tell us about innovation? It can take historical, philosophical, and cultural perspectives on the causes, processes, and consequences of innovation; it can highlight the contextuality of the meaning of innovation; it can point to the fact that knowledge can never be disinterested, but is always culturally embedded; it can show innovation as a force of disturbance, complexity, and conflict (involving creative destruction, for example); and it can take a long-term perspective on innovative processes: the consequences we come from, and the possibilities we’re moving towards.
Further, of course, the history of culture is a history of innovation; the history of avant-garde movements is one example for this. Artists have always also been involved in breaking free from established models, in promoting creative destruction; many artists are also uncomfortable with being involved in research or innovation programmes, however.