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The second speaker in this AoIR 2016 session is Fabio Giglietto, who shifts our focus to Netflix. This was launched in Italy in October 2015, and has become especially popular with young adults in the 18-24 age range. There has been a growth in the practice of binge-watching TV series as part of this adoption process, too – and other online video providers have also become available in Italy, along with unauthorised sources.

The final session at AoIR 2016 today starts with a presentation from Daniela van Geenen. She begins by noting that much Twitter research has focussed on specific events, incidents, and groups rather than on longer-term, everyday uses. Is it possible instead to identify local publics on Twitter, based for instance on geographic co-location? Are such publics connected with national networks?

The final paper in this AoIR 2016 session is Mirca Madianou, who begins with a clip promoting the "I Sea" app that purports to take a crowdsourcing approach to scanning satellite images for migrant boats in the Mediterranean in order to spot and help boats in distress. However, that app was a scam; it showed static satellite images rather than live feeds.

The next presenter at AoIR 2016 is Adrian Rauchfleisch, whose interest is in digital astroturfing in politics. There have been a number of documented cases of political candidates suddenly picking up substantial numbers of Twitter followers overnight, presumably both because they bought followers themselves and because their opponents created fake followers to embarrass them. There is also a Russian outfit called The Agency, posting pro-Putin comments on international news Websites that purport to be from ordinary users in the west, and similar pro-China astroturfing has also been observed. Such astroturfing is not the same as trolling: trolls are self-motivated, rather than acting as agents of defined political interests.

We start the second session this morning at AoIR 2016 with a paper by Jennifer Stromer-Galley and Patricia Rossini, whose interest is in the social media posts of presidential candidates in the U.S. election campaign in 2016. On their live tracker they are capturing the social media activities of both Clinton and Trump, and these have also been coded by content.

The final speaker in this AoIR 2016 session is Karen Assmann, whose interest is in the social media coverage of the Bill Cosby scandal. Allegations about Cosby's behaviour had been circulating since the mid-2000s, but these were not widely investigated by journalists at the time (and the court material at the time was sealed after an out-of-court settlement); some journalists have questioned whether they have failed in pursuing this story.

The story blew up again in 2015 after a video discussing the allegations went viral on Twitter, and was picked up on Buzzfeed; eventually the UK's Daily Mail covered the story in some more detail and in October and November 2015 more substantial coverage both online and offline, and both in traditional and new news media finally emerged. Journalists reflected at the time that social media, as well as non-traditional news sites such as Buzzfeed, played an important role in finally generating attention to this story.

The second paper in this news session at AoIR 2016 starts with Lena Knaudt and Renske Siebe, who begin by highlighting the transformation of journalism in the context of participatory and social media. How does journalism redefine itself as an institution in this environment; how do we understand news beyond the industrial paradigm?

There are three levels of de-industrialisation of journalism: the business model, the production process, and the journalistic paradigm; in terms of production, in particular, there is an opportunity to move away from deadline-driven, high-throughput journalism and towards 'slow journalism' that engages in considered news production and also involves the audience as co-producers. However, journalists' perceptions and experiences of such models are not usually very positive, with incivility noted as a particular problem, and they are therefore reluctant to engage.

The first proper day of AoIR 2016 begins with a paper that I'm involved in, along with a host of colleagues from Australia, Germany, Norway, Sweden, and Denmark. We cover patterns in newssharing across these countries, and I'll add the slides for our presentation below as soon as I can the slides for our presentation are below now.

After an exciting workshop day, we're now starting AoIR 2016 proper with the opening keynote by José van Dijck from the University of Amsterdam. She begins by noting the work of Tarleton Gillespie on the politics of online platforms, which has been very influential in Internet studies in recent years. Internet platforms are now intricately interwoven in a technical, commercial, and social ecosystem, with a number of leading platforms serving as the major gateways to that ecosystem.

But new platforms are constantly emerging, to systematically connect people to things, ideas, and money. These platforms penetrate all aspects of our public and private lives; in any major area these platforms are important gateways to information and connectivity. A platform in this context is an online site that deploys automated technologies and business models to organise data streams, economic interactions, and social exchanges between users of the Internet, José suggests. They are therefore not simple facilitators, or stand-alone objects, but are intricately connected to each other.

Our Digital Methods pre-conference workshop at AoIR 2016, combining presenters from the Digital Methods Initiative at the University of Amsterdam and the Digital Media Research Centre at Queensland University of Technology starts with a presentation by Richard Rogers on the recent history of digital methods. He points out the gradual transition from a conceptualisation of the Internet and the Web as cyberspace or as a virtual space to an understanding of the Web as inherently linked with the 'real' world: online rather than offline becomes the baseline, and there is an increasing sense of online groundedness.