Hannover, Germany
We spent the last few days on a brief visit to my home town of Hannover, via a brief detour through Berlin and the Hurricane music festival at Scheeßel, to see Australian sensation Wolfmother. (Luckily, the storms which led to the cancellation of the later days of the festival only hit after we'd already left again.) This is the first time in six years I've been back to Hannover, and only the second since I left Germany for Australia in 1994. Strangely, I'm finding myself in a position of seeing Hannover (and Germany more generally) through the eyes of a tourist rather than those of a native, which is somewhat disconcerting - albeit a tourist with better local knowledge than many of the football fans and other travellers currently traversing the country.

Phew. I have spent four out of the last five working days virtually in non-stop meetings on a wide variety of issues - from research and teaching planning sessions to team meetings for the ACID Press project (which has a very outdated outline on the ACID Website, I'm afraid), meetings of the AoIR 2006 conference organising team, preliminary work for a new book project, and a PhD confirmation presentation by Creative Industries student Stephen Harrington - and tomorrow is looking no better, with an all-day meeting of the team of our teaching and learning project using blogs and wikis at QUT. In between all the meetings about what work needs to be done, it would be nice to find some time to actually do some work... (At least I did find the time to accept an invitation to join the editorial board of New Media & Society, and I look forward to being part of it.)

I've been meaning to flag the fact that DGMLive has gone online. The site is the new online arm of Discipline Global Mobile, the record label founded by King Crimson guitarist Robert Fripp, and offers a growing number of Fripp and Crimson concerts and other goodies for purchase and download. This interests me as a fan, but also for other reasons: music purchased through DGMLive is available in MP3 and FLAC (lossless audio) formats, and is downloaded through the peer-to-peer filesharing software BitTorrent.

Neither of these facts sits well with standard music industry wisdom (now there's an oxymoron for you) that 1. the customer is the enemy, and cannot be trusted, 2. p2p filesharing tools of any kind are evil, and must be destroyed, and 3. because of 1. and 2., there is a need for new music formats which include strong digital rights management (DRM) measures to prevent unauthorised duplication, filesharing, or other supposedly illegal activities. At the same time, having been cheated by industry players at various times during his 40-odd-year career, Fripp can hardly be described as a friend of the music industry - which he has described repeatedly as being 'fulled by greed' -, so perhaps it's not so surprising that he would take a different approach to online distribution.

OK, I really have to get back to blogging again. I suppose I blog the most when exciting and interesting things are happening, but the last few weeks, filled with chores between the end of one semester and the start of the next, have been difficult to say the least. I have tried hard to keep my weekends free from work-related tasks at least, though - with varying levels of success. Will try and post a few updates on current projects over the next few days.

One thing I have been able to do is to compile Iceworld, a CD of some ambient soundscapes I've tinkered with over the last few months. These are mainly improvs very much in a 'drone, bleep, blurt' mode, recorded live and edited into a series of individual tracks. The CD clocks in at just over 70 minutes and generally has a somewhat antarctic feel to me (hence the title); I've made it available here in MP3 format under a Creative Commons licence. Having listened to them a few times today, I'm quite fond of these tracks - "The Factory Ship" in particular has some very impressive bottom end on a good sub-woofer... Any comments are very welcome. (I might write a little more about how I've recorded these at another time.)

Following on from my recent email conversation with King Crimson biographer Sid Smith, he's asked me to help pass on this alert to fans:

Inside King Crimson DVD and CD

A statement from Robert Fripp and DGM

The Inside The Music series is a "pot of gold" for Bob Carruthers & classic rock productions. It addresses a valuable & useful area of popular music studies; but in a cheap, nasty & cynical fashion that exploits everyone & scams the artists, the music & the fans.