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Some Recent and Upcoming Work

When this site goes quiet, it’s usually because work is exceptionally busy. My apologies for the long silence since the launch of our major collection A Companion to New Media Dynamics – a range of projects, variously relating to the uses of social media in crisis communication, of Twitter in a number of national elections, of social media as a second-screen backchannel to televised events, and of ‘big data’ in researching online issue publics, have kept me occupied for the past eight months or so.

Now, I’m about to head off to Denver for the annual Association of Internet Researchers conference and on to a number of other events, and you can expect the usual bout of live blogging from these conferences – but before I do so, here’s a quick update of some of the major publications and papers I’ve completed during the past few months. For some more frequent updates on the work of my colleagues and me, you can also follow our updates at Mapping Online Publics and the site of the QUT Social Media Research Group, of course. On the SMRG site, we’ve also posted a list of the presentations we’ll be making at AoIR and beyond – hope to see you there!

A Final 2012 Publications Round-Up

As we’re hurtling down the last few hours towards 2013, it seems like a good idea to take stock of what was an incredibly busy 2012. Here, then, is a round-up of all (I think) of my publications and presentations for the year, organised into loose thematic categories. In all, and with my various collaborators from the ARC Centre of Excellence for Creative Industries and Innovation and beyond, I seem to have generated some 4 book chapters, 12 journal articles, 22 conference presentations and one major report – and that’s not counting various articles in The Guardian, The Conversation, and other media outlets. There’s also a few more articles still in the pipeline – but given today’s date, I suspect they’ll end up counting towards 2013 rather than 2012…

 

Social Media Research Methods

One major component of our Mapping Online Publics work for this year has been the further development of our social media research approaches, especially as far as Twitter research is concerned. A number of my publications have dealt with the practical aspects of this work:

Audience Attitudes towards Eyewitness Footage

The next speakers in our ECREA 2012 panel are Laura Ahva and Maria Hellman, whose interest is in the citizen eyewitnessing of crises. Witnessing has always been a central task of crisis journalism, but citizen-generated content is now increasingly important; citizen eyewitness images are especially central now, and are mediated from the sites of crises to the global audience. The Arab Spring provides a very useful recent example for this.

Twitter and the Tour de France

The next session at ECREA 2012 starts with my colleague Tim Highfield, presenting a paper on the Tour de France on Twitter which was co-authored with Stephen Harrington and myself. My notes on the session are below ; slides and audio will follow later. Tim's slides and audio.

Online Discussion of Domestic Violence around Chris Brown's Grammy Win

The final paper in this session at AoIR 2012 is by Elycia Taylor, whose focus is on the reaction to the 2012 Grammy win by Chris Brown, who had assaulted his partner, the singer Rihanna, following the 2009 Grammys. Brown had become a persona non grata at the time, but has made a recent comeback, and many of his new fans appear to be prepared to overlook this violent history. There are also rumours about Brown and Rihanna working together again.

Fans and Audiences for #Eurovision on Twitter

Next up at AoIR 2012 it's Tim Highfield and me again, presenting a paper co-authored with our colleague Stephen Harrington. Here are the slides; audio to follow. and audio.

#Eurovision: Twitter as a Technology of Fandom from Axel Bruns

#Eurovision: Twitter as a Technology of Fandom (AoIR 2012)

AoIR 2012

#Eurovision: Twitter as a Technology of Fandom

Axel Bruns, Tim Highfield, and Stephen Harrington

Twitter and the Media: Methods, ATNIX, Citizen Journalism, and the Olympics

Here are some more updates on my recent adventures in the world of Twitter research. First, I’m very happy to report that a new chapter on the impact of Twitter on the long-standing melée between industrial and citizen journalism has now been published. In the article, co-written with my CCI colleague Tim Highfield, we explore how the emergence of Twitter as a middle ground between the branded spaces of news Websites and citizen journalist blogs and other sites complicates the previously somewhat more obvious battle lines between the two sides – extending a process of, if not convergence then at least increasing interconnection, which has been evident for some time (except for the last remaining cold warriors of the blog wars).

The article has been published in Produsing Theory in a Digital World, edited by Rebecca Ann Lind – congratulations on what looks like a very interesting volume. (And on a personal note, it’s also very gratifying to see yet another colleague take up the produsage idea and do interesting things with it, of course.)

Axel Bruns and Tim Highfield. “Blogs, Twitter, and Breaking News: The Produsage of Citizen Journalism.” In Rebecca Ann Lind, ed., Produsing Theory in a Digital World: The Intersection of Audiences and Production. New York: Peter Lang, 2012.

Creating and Marketing Transmedia Stories

Seattle.
The first keynote at AoIR 2011 is by Mike Monello (who was also the producer of the Blair Witch Project). He begins by noting the importance of team collaboration, and says that Blair Witch emerged as a completely organic process involving its principal creators. The filmmakers wanted the dialogue to be completely improvised, and so created a deep mythology for the Blair Witch story; some of the (very realistic) clips recorded for the film were then broadcast on TV, and audiences were encouraged to go to the online community Split Screen to discuss whether what they’d seen was real.

The massive success of this online discussion then led to the setting-up of the Blair Witch Project Website, which contained the underlying mythology – fans speculated on the message boards and developed theories of what was going on, and the filmmakers themselves almost accidentally became involved in the story as filmmakers, therefore. While there was nothing on the site to identify the story as fiction, there was never any intention to mislead – and the site linked to information about the production process, too.

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