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‘Fake News’

COVID-19 Conspiracy Theories on Twitter in Nigeria and South Africa

The final speakers in this AoIR 2022 session are Matti Pohjonen and Stephanie Diepeveen, whose focus is on the COVID-19 infodemic that emerged alongside the actual pandemic itself. The global nature of the pandemic meant that the infodemic, too, was global, but such disinformation disseminated in radically different ways in different parts of the world, due to local specificities.

Visual Imagery, Anger, and Anxiety as Predictors of Belief, Sharing, and Fact-Checking

The next speaker in this AoIR 2022 session is Cristian Vaccari, who provides a global perspective on visual disinformation. Visual content enjoys a cognitive advantage over text, and is more likely to be treated as realistic; verbal content, too, is more likely to be treated as true if it is accompanied by related images. Most recent social media platforms have a strong audiovisual component, therefore, but equally we have seen a recent rise in visual disinformation.

Coordinated Social Media Behaviour in the 2021 German Federal Election

The next speaker in our AoIR 2022 session on elections is Fabio Giglietto, and focusses on political advertising and coordinated behaviour in the lead-up to the 2021 German election. Sponsored by the Media Agency of North-Rhine-Westphalia, it was interested in micro-targetting of ads on social media as well as coordinated behaviour, and proceeded by identifying the social media accounts of a large number of candidates in the German election. It also worked with a list of relevant political terms compiled by GESIS.

Understanding the Platform Logics of Alternative Social Media Sites

Up next in this AoIR 2022 session is my temporary University of Zürich colleague Daniela Mahl, whose focus is on conspiracy theories. The culture of such conspiracy theories has changed recently: they are more visible and circulate more quickly now, and new and unique subcultures have emerged that engage with them. The logics and connectivity of digital platforms are important drivers of these developments.

A Few More Presentations from ECREA 2022

After the excitement of the ECREA 2022 conference proper, my colleagues Sofya Glazunova, Dan Angus and I attended a further post-conference on Digital Media and Information Disorders that was organised by the excellent Anja Bechmann and her team, where we presented a number of papers.

First, Dan presented a paper on behalf of first author Edward Hurcombe on the way that Facebook’s owner Meta shapes the public perception of mis- and disinformation through its statements via the Facebook Newsroom, the platform’s main public relations outlet:

In a parallel session that morning, I presented a paper led by Aljosha Karim Schapals on the way that journalists perceive the challenge of ‘fake news’ rhetoric as a delegitimising force. This work has now also been published in an article in the journal Media and Communication:

Mapping Alternative News Environments on Diverse Platforms

The final speaker in this ECREA 2022 session is presented by Eva Mayerhöffer and Jakob Bæk Kristensen, who start from the same interest in alternative media and digital counterpublics, understanding the latter especially as the digital environments that are established by the sharing of alternative media content and exploring their inward or outward orientation.

Norwegian Journalists’ Attitudes towards Alternative News Media

The next speaker in this ECREA 2022 session is Karoline Andrea Ihlebæk, focussing on the relations between professional alternative media as an indication of boundaries in the journalistic field. This connects with a long history of research into field theory and boundary work in journalism.

Mapping Far-Right Networks in Germany across Platforms

The next paper in this ECREA 2022 session is Azade Kakavand, whose study compares far-right networks across multiple platforms. Far-right here means a broad grouping that also includes the radical and extreme right, as well as both electoral and non-electoral groups. The networks between these actors may be affected by the different affordances that the various social media platforms offer.

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