Seattle.
The next speaker in this AoIR 2011 session is Ashley Hinck, whose focus is specifically on the 2011 Wisconsin Protests against the eradication of collective bargaining rights. These protests involved conventional in-person protests and demonstrations, calls and letter-writing, but also a range of online activities from simple expressions of sympathy to more sophisticated forms of organising; this may impact institutions, but may also simply be an expression of personal identity – but yet it’s also more than these two basic forms of citizenship.

What’s necessary, then, is to consider citizenship beyond these conventional definitions – to consider how citizenship is performed: the modalities of citizenship. Voting out of a sense of duty to a candidate, or voting to prevent the election of another candidate, are two very different actions, for example.

Seattle.
The next AoIR 2011 session starts with Alex Farivar, whose interest is in mobile phone diffusion; such diffusion has also been an important driver of economic development and democratisation in a number of countries, it has been claimed. Alex’s project examined some 122 countries for the years 1946 through to 2009, studying economic growth patterns and examining (in more recent years) the role of Internet and mobile diffusion. Similarities in economic positioning, geographic context, and other factors were also considered.

Does mobile and Internet diffusion predict economic growth; does socioeconomic instability or democratic instability hinder such growth? Variables here included world system positioning (core, semi-peripheral, peripheral), income, democratic development, mobile and Internet diffusion, sociopolitical instability, urbanisation, population, and time and region.

Seattle.
The first keynote at AoIR 2011 is by Mike Monello (who was also the producer of the Blair Witch Project). He begins by noting the importance of team collaboration, and says that Blair Witch emerged as a completely organic process involving its principal creators. The filmmakers wanted the dialogue to be completely improvised, and so created a deep mythology for the Blair Witch story; some of the (very realistic) clips recorded for the film were then broadcast on TV, and audiences were encouraged to go to the online community Split Screen to discuss whether what they’d seen was real.

The massive success of this online discussion then led to the setting-up of the Blair Witch Project Website, which contained the underlying mythology – fans speculated on the message boards and developed theories of what was going on, and the filmmakers themselves almost accidentally became involved in the story as filmmakers, therefore. While there was nothing on the site to identify the story as fiction, there was never any intention to mislead – and the site linked to information about the production process, too.

Seattle.
The final speaker in this AoIR 2011 session is Kate O’Riordan. Her interest is in the biodigital sequencing of the human genome and its representation in digital culture. Genomes are ‘born-digital’ artefacts, and have become a widespread trope in digital culture; a substantial number of Websites provide information on human genomics through databases, browsers, sequences, scans, wikis, and blogs; genome stories told by emerging celebrities in the field are coming to increasing prominence.

Genome sequences are generated through very abstract computational processes; how is such information made meaningful, and by whom? This is a story of the construction of a specific technocratic elite, offering a promise that everybody might some time soon be equally empowered; it’s a story of genetics and behaviour. Genomic research is now also shifting towards the analysis of multiple genomes, and celebrity (auto)biographies are attached to this shift.

Seattle.
The next AoIR 2011 speaker is Aristea Fotopoulou, whose interest is in digital networks. She focusses on the Feminism conference in London in 2009, using both ethnographic and Webcrawling methods. The conference is connected with the wider London Feminist Network, which not least engages with recent political changes in the UK. The network reframes views on violence against women, prostitution and pornography, but Aristea’s ethnographic work was able to trace a range of different versions of feminist identity.

Older divisions are reinvoked in networked conditions, and an imaginary perspective of feminism as a movement is evoked in the process; a continuing anxiety about catching up with digital technologies underpins some of these activities, too. In digital environments, doing network politics is being remediated through these imaginaries.

Seattle.
The next session at AoIR 2011 starts with Caroline Bassett. Her focus is on Harvey Matusow and the Anti-Computing League (in the 1950s), as an example of political activism. How were groups turned on or off from nascent media technologies; how did they come to see potential uses of such technology?

The Anti-Computing League emerged at a time when personal computers didn’t yet exist; computers weren’t yet viewed as media, and counterculture was driven by Oz Magazine which presented print with television aesthetics. The ACL in England had some 5000 members in the late 1960s (roughly matching the number of computers in the country at the time), and envisaged a war against computing and data processing (e.g. by poking extra holes in their punchcards); it had a certain surrealist element, and aimed to disrupt computers.

Seattle.
After a brief visit to Taipei (more on that on Mapping Online Publics soon), I’ve now made it to Seattle for the 2011 Association of Internet Researchers conference. We start with the Ignite session of very short and fast papers:

Nick Proferes, whose talk is in Dr. Seuss style, examines the origins of research ethics; he studied the content of the AoIR mailing-list to examine qualitative trends in conversations on ethics (and considered the ethics of doing so as well, of course); email traffic peaked around 2006/2007, and ethics, IRBs, and permissions were amongst the key terms, especially in the context of email and Facebook, and increasingly Twitter; questions of public and private were especially knotty. Most discussions on the AoIR list began with students asking for guidance from the community, and analogies with the analogue world still prevail.

Alex Leavitt talks about a failed research attempt: his interest is in digital subcultures, and he examined Encyclopedia Dramatica (which he describes as a satirical ‘devil’s dictionary’). How does it reflect Internet subculture? Alex’s project scraped the ED wiki, but the assumption in such work is that sites always stay where they are – ED, however, suddenly disappeared when its administrator deleted it in order to start the Oh Internet site; Alex, however, still had the archive of scraped texts (albeit without edit history), and worked with the community to restore the content – the changed his role, of course. How, generally, should researchers deal with ephemerality, then, and with the more or less explicit wishes of original authors for their content to have a limited lifespan…