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The next speaker in this IAMCR 2024 session is Dmitry Romanenko, whose interest is in the media portrayal of Ukraine in New Zealand media following Russia’s full-scale invasion of the country. Western coverage of the war has tended to take a strongly pro-Ukrainian perspective, which is a substantial shift from the far more critical pre-invasion media coverage. Here, the focus is on the use of images in such coverage, which represent dominant narratives and can have a substantial effect on international relations.

This can be understood through Entman’s cascading activation paradigm; Dmitry examines this through a study of articles from …

The next speaker in this IAMCR 2024 session is Kerry McCallum, whose interest is in the media logics surrounding public inquiries into child abuse, focussing especially on the Royal Commission into Institutionalised Responses to Child Sexual Abuse in Australia, in 2013-17.

Media were a key player in making child sexual abuse in institutional settings in Australia public – but they can also reinforce public stigma and discriminatory policies. Public inquiries, in turn, can shift public discourse on critical social issues, but their non-public aspects of ‘quiet listening’ to the victims of survivors of abuse are just as critical; this needs …

The next session at IAMCR 2024 is on media framing, and we start with Henri Mütschele, whose interest is in the German media portrayals of the Fridays for Future and Letzte Generation protest movements in the ‘protest winter’ of 2022/23. Germany has a long tradition of climate protests, but these groups have very different approaches to their protests: from socially acceptable demonstrations to more radical and disruptive blockage actions.

In winter 2022/23, against the context of the European energy crisis brought on by the Russian war on Ukraine, there was a heightened rate of protests by such groups, and these …

The final speaker in this IAMCR 2024 session on Ukrainian cultural heritage narratives is Dmitry Romanenko, whose focus is on Chinese narratives on the Russian war against Ukraine.It has already been observed in some studies that Chinese media like the Global Times usually take a pro-Russian stance that’s justifies the war in Ukraine; however, an alternative perspective is that China’s public messaging is predominantly designed to promote its own, and not Russia’s, interests, and that it does not explicitly endorse the war. Whose narratives is China telling, then? What is their message, and can it be contested at an international …

The third speaker in this IAMCR 2024 session on cultural and heritage narratives surrounding the war on Ukraine is Shalabh Chopra, who begins by highlighting the changes in global power structures; in this the newly multipolar world the Global South is not readily on the side of the west in major conflicts, and may therefore also be less sympathetic towards Ukraine in the current war.

This can also be observed for the case of India. India has a long history of non-alignment, and has had historically good ties with the USSR; it has engaged in diplomatic efforts surrounding the war …

The next speaker in this session at IAMCR 2024 is Mia Angeline, who continues the theme of the arming of Ukrainian cultural heritage from the perspective of Indonesian media. Indonesia is a rising, non-aligned power in the Global South, and has a growing influence in global fora. Its historical experiences have influenced this non-alignment, and its vibrant and diverse cultural heritages may increase its sympathy for the cultural heritage concerns of other countries.

How do Indonesian media frame Ukranian cultural heritage in the context of the war, then? This might be understood in the context of agenda-setting (on salient issues) …

The post-lunch session that I’m attending at IAMCR 2024 is on communication around the war in Ukraine, with a particular focus on cultural heritage; I stars with Natalya Chaban. Russia’s full-scale invasion of Ukraine has presented a new challenge here: a weaponised state is threatening Ukraine’s history and culture, and heritage sites are not simply collateral damage but are being actively targetted by Russia’s unprovoked aggression. Culture itself is thus a driver of conflict.

But the reconstruction of such cultural heritage is also already being planned, and must be done in the most protective and thoughtful way, also supported by …

The final speaker in this IAMCR 2024 session is Lihan Yan, whose focus is on tweets in the 2020 US presidential election. She uses the perspective of narrative economics as a framework for interpretation here, combined with the cascading network activation model: this indicates how frames are activated by the elite, and disseminated through news media to affect the public’s political decision-making process.

From this perspective, elite narratives from one or another side of politics can influence media narratives, and this in turn influences public narratives; there is therefore likely to be a narrative competition between elites as they seek …

The next speaker in this IAMCR 2024 session is Yunfang Cui, addressing public debate about the ‘secret photography’ incident on the Guangzhou subway in 2023, where a middle-aged man secretly photographed young female travellers. The discussion of this incident on Weibo can be seen as an example of group polarisation.

This may be aided by the anonymity and algorithmic shaping of social media feeds. To examine this, this study gathered some 5,000 posts and 67,000 reposts from Weibo about this incident, and found strong engagement in the early days after the event, with decline in activity after a few days …

I presented the second paper in this session, on patterns of communication in the failed 2023 Voice to Parliament referendum on improving representation and participation for Australia’s Indigenous peoples. As part of this we also developed a new methodology we describe as practice mapping – more detail on this later. Here are the slides: