Canberra.
And the (dubious) honour of presenting the final paper in the final session at DHA 2012 falls to … me. Below is the Powerpoint, and I’ll try to add audio to this as soon as I can, too I've now finally also managed to add the audio, no thanks to a very dysfunctional Slideshare.

Canberra.
The next speaker in this DHA 2012 session is Alice Gorman, whose focus is on the use of social media to communicate archaeological research. Archaeology remains poorly understood; popular portrayals of the discipline, from Indiana Jones to Time Team, don’t necessarily have much to do with actual practices in the field.

Alice’s interest is in space archaeology (from earth-bound technological artefacts to space junk), and in thus protecting our cultural heritage; under the moniker ‘Dr Space Junk’, she’s been sharing her work through a blog and a presence on Twitter.

There are obvious differences between such presences …

Rio de Janeiro.
My own keynote presentation started the second day of SBPJor. Powerpoint and audio are below; the full paper (which attacks the topic from a slightly different angle, but makes much the same points) is also online.

My sincere thanks to Carlos Franciscato and the SBPJor organisation for the invitation to speak at the conference; it’s been great to meet some of the many Brazilian journalism researchers whose work I’ve been aware of for some time now. I’m sorry that because of the language barrier I’ve not been able to participate more fully in the conference itself …

Briefly back in Australia, yesterday I went down to Sydney to speak at the Australian Society of Archivists’ 2011 Symposium (staged at the fabulous Luna Park venue). My paper was meant as an urgent call to action on the question of archiving public activities in social media spaces – so much material which will be of immense value to future researchers is being lost every day if we don’t get our act together very soon; we can’t wait for the lumbering beast that is the U.S. Library of Congress to do the job for us, however fulsomely they’ve promised to …

Seattle.
The final paper at AoIR 2011 is presented in absentia of the original authors, who were led by Muhammad Abdul-Mageed, and focusses on the use of Twitter during the continuing Arab Spring uprisings. It examines the linguistic features of the forms of Arabic used in these tweets, as well as the topics and sentiments expressed. The authors examined some 2000 tweets sampled at random from some 233,000 tweets gatered between November 2009 and February 2011. Tweets were coded for topic across a range of thematic categories, for language (standard vs. non-standard Arabic), and sentiment (objective, subjective; positive, negative, neutral …

Seattle.
The penultimate speaker at AoIR 2011 is the awesome Zizi Papacharissi, whose interest is in self-performance on Twitter. Performance, she says, is public dreaming: everyday life is a theatre, and online, too, we are performing a networked self. We do this towards a blend of imagined as well as actual audiences, evoking a type of public dreaming.

Performance theory tells us that individuals live by performance – every little gesture is a little performative, and performances are inherently self-reflexive. We have a repertoire of performative actions, and play out an ‘as if’ element in our behaviours.

Online, performative …

Seattle.
The next speaker at AoIR 2011 is Joss Hands, whose interest is in collective action in social media. How do we think, decide and act collectively in the age of social media as such, and how does this take place on Twitter in particular? Are social media expanding our capacity for a new kind of device consciousness?

A simple way of putting this is ‘does Twitter think?’ – the framing of the problem is rooted in the concept of the multitude as a social body, linked through communication technology; how does this social body come to collective decisions, not …