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The next speaker at AoIR 2016 is Jacqueline Vickery, whose focus is on the use of feminist hashtags such as #YesAllWomen as networked publics. These combine affective expressions of support with intimate citizenship and political activism in an ad hoc way. Political and affective dimensions are combined with the goals of such actions, and coordinated through the affordances of the platforms, such as the mechanism of hashtags themselves.

Hashtags are curational, polysemic, memetic, enable duality and tension across communities of practice, and support articulated subjectivities. Within them occur dynamics of agenda setting, re-framing, cooptation, (strategic) essentialism, awareness and mobilisation, and …

The next speaker in this packed AoIR 2016 session is Eugenia Siapera, whose focus is on hate speech and its regulation in social media. This is analysed by examining the Terms of Service of major social media platforms, as well as through interviews with key informants from Facebook, Twitter, and YouTube. What constitutes acceptable and non-acceptable speech from the point of view of these companies? What underlying ideologies does this point to?

The definition of hate speech on these platforms is usually not derived from existing legislation, but emerges from within the platforms themselves, informed especially by …

The final (no, really) session at AoIR 2016 starts with a paper by Stefania Milan, whose interest is in online protest. She begins by noting that semiotechnologies now play an important role as brokers. The emerging protest/media configurations affect the materiality of the process of meaning construction.

This may be seen as a somewhat techno-determinist argument: the algorithmically mediated environment of social media certainly has the power to restructure the dynamics of social action, and social media perform a function in political socialisation and within groups. Collective action as a social construct is the result of interactions between social actors …

The final speaker in this morning panel at AoIR 2016 is Elliot Panek, who points out that social media are only one venue for political discourse, and that different platforms support different forms and qualities of discourse. Is it possible to develop robust, lasting frameworks for understanding such discourse that are not inherently tied to specific specific platforms, then?

Elements that are important here are technological affordances, social context, regulation, and user attitudes. Technological attributes include identity disclosure, message display, and message categorisation; the qualities of discourse we may be interested in include the levels of hostility, relevance, and tolerance …

The next speakers at AoIR 2016 are Daniela Ibarra Herrera and Johann W. Unger, whose focus is on second-screen engagement with Chilean political talk shows. These shows often show tweets on screen, and promote their own hashtags as a form of engagement. There are current constitutional problems in Chile, as a hangover from the Pinochet dictatorship, and there are also ongoing issues with political corruption; this means that there is considerable engagement with current political debates.

Second-screen engagement with politics points to the everyday relevance of politics, and introduces some shifts to frontstage/backstage distinctions in politics; what emerges here is …

The next AoIR 2016 speaker is Neta Kligler-Vilenchik, who shifts our focus to the use of WhatsApp groups for informal political talk, especially in an Israeli context. In Israel there is a comparatively more open environment for online political talk, but also a greater propensity to violent, inciting, or racist discussion, especially in the context of major political, military, and terrorist events.

Political talk that is beneficial to democracy cuts across dissimilar political perspectives, but remains civil if robust in doing so. Such civility may be platform-dependent, however; there are distinctions between the major social media platforms and their roles …

The next speaker in this AoIR 2016 session is Anders Løvlie, whose interest is in the repercussions of commenting on online newspaper sites for the commenters themselves. This is in the context of the 2011 terror attacks in Norway, which were inspired in part by a number of right-wing extremist Websites. In the aftermath, online commenting on news sites became seen as a form of bigotry, and Norwegian news sites tightened their comment moderation approaches.

Commenters on these sites were asked whether they had ever experienced negative repercussions from commenting – 11% said that they had. Those who participated more …

After a swinging party last night, we are now starting the final day of AoIR 2016. This begins with a paper by Alfred Moore, Rolf Fredheim, and John Naughton, whose focus is on online commenting practices. More and more people are getting their news online, and especially through social media; this has been creating anxieties about how people are getting their information, but the dimension of online commenting has been less thematised in this context. The structure of commenting architectures has an important role to play here.

There is a perception of a trade-off between anonymous and real-name commenting …

The final presenters in this AoIR 2016 session are my colleagues Peta Mitchell and Felix Münch, who also focus on the Twitter reaction to David Bowie's death. Twitter as a platform can be useful for studying public responses to such events, but at the same time the focus on a hashtag only also limits the study to deliberately self-selecting tweets and users; a focus on 'Bowie' as a keyword provides a different perspective. This is also complicated by the one percent rate limit of the Twitter API, as 'Bowie' tweets spiked well above that limit.

Most of the millions of …

The next paper in this AoIR 2016 session is by Hilde van den Bulck, which shifts our focus to the mourning of David Bowie after his death on 10 January 2016. Bowie had had a stellar and constantly shifting career, of course, but had also managed to keep his private life comparatively private, which is why his death came quite unexpectedly. Not least because of this there was a massive reaction to news of his death on Facebook and Twitter.

One of the spaces that quickly emerged for such 'i-mourning' was the #bowie hashtag on Twitter. This became …