Up next in this AANZCA 2024 conference session is Agata Stepnik, whose interest is in stakeholder perspectives on the sustainability of commercial and publicly-funded news production in Australia. Her project is engaging in interviews with stakeholder groups – publishers, policy-makers, journalists, advertisers, and platform operators – and explores how they have conceptualised news media’s digital transformation since the emergence of Web publishing in the 1990s, and what futures for news production they envisage.
Across all these interviews there was a strong recognition of the social and institutional value of news to democracy; however, news was also strongly positioned as a …
The first paper session I’m attending at the AANZCA 2024 conference is a panel on democracy in crisis, and starts with my QUT colleague Stephen Harrington. His focus is on ‘dark political communication’, as a way of moving past the overemphasis on mis- and disinformation and recognising that such practices are just one part of a much broader range of communicative dysfunctions in contemporary political systems.
This then also incorporates a greater focus on recent changes in political PR: political PR has been a growing focus in the study of politics in recent decades, with attention paid to its arrangements …
It’s late in November, and I’m at my penultimate conference for the year: we’re about to begin the AANZCA 2024 conference with a remote keynote by the great Pablo Boczkowski. He starts by sharing two selfies: one, entering the 2024 Democratic National Convention, which nominated the Harris/Walz presidential ticket; that event addressed several internal and external publics, including journalists, influencers, delegates, voters, and the general public. It was characterised by an atmosphere of expectation and enthusiasm, choreographed to lead up to the actual nomination itself.
The second selfie is from fieldwork in Buenos Aires, which has the highest concentration of …
