Open Source

The next panel at Social Media & Society 2018 starts with Mathieu O’Neill, who focusses on peer production in the sharing economy. How does peer production fit into the precarious, gig economy environment that has emerged over the past few years? Firms might devote some of their employee time to participation in peer production, but this also means that they lose control over their staff productivity for at least some of their time.

The final speaker in this first AoIR 2013 plenary is Christina Dunbar-Hester, whose focus is on activist technical projects - such as micropower radio stations or community wifi networks. The activists describe such activities with the Amish term of barnraising, highlighting the community empowerment and self-sufficiency aspects of such initiatives. The hope is to demystify technology and generate political engagement through further hands-on knowledge sharing.

There is a big difference in this in how technical expertise is seen as empowering (through sharing) rather than disempowering (through the emergence of knowledge elites). But there remains a strong white middle-class basis to this - such sharing continues to speak largely to a male white addressee, and the involvement of women or minorities in these initiatives remains rare.

Reykjavík.
We move on at ECPR 2011 to Andrea Calderaro, who zooms in on the Free and Open Source Software (FOSS) movement as a form of political struggle in the network society. It is important here to move beyond digital media as a mere tool, but to question the code itself; FOSS does this by open-sourcing code to allow greater interaction and transparency.

Finally met Jill Walker during the break! Now on to the next panel - but it's very dark in here so I'll apologise in advance for any typing errors. Mary Flanagan and Ken Perlin are presenting on their RAPUNSEL project. The motivation is that very few of the programmers and other IT professionals in the US are women (7%), so the project is to develop a game to attract girls to the area. The main drop-off point for interest amongst girls is around middle school, but they are and remain very interested in online gaming (over 60% of the gamers in Sims Online are women). The project builds on this by using 'computer clubhouses' in poor and ethnically diverse neighbourhoods in New York (which are sponsored by Intel). The combination of everyday desires and technology enables the expression of a possible world (building on Deleuze). So how can hacker and middle-schooler cultures be connected in this way?

Early Start...We've now started the last day of the conference proper here in Helsinki - with a session on open source cultures that also contains my own paper. I'll blog most of this but of course not my paper itself - I'll upload this to this site soon. Not a bad turnout for a 9.30 start on a Saturday morning, either!

Mark Tribe has now made a start on his panel, beginning with a brief history of free and open source software (FOSS) and its ideology. But Mark's own interest is in open source as a broader cultural phenomenon, which also occurs in the domain of art (and he quotes Stravinsky as saying that "a good composer doesn't imitate, he steals"). This of course is a key development of the last century - the conscious building of new art on existing material, be it ideas or actual found material (as also in the emergence of collage as a new art form - take the dada movement for example).