Social Media

The next speaker at AoIR 2017 is Catherine Son, who examines the role of digital publics in Australian print media practices. In 1996, for instance, when the Port Arthur massacre took place, many of the digital publics that were in evidence during the 2015 Lindt Café siege in Sydney, and a review of these two events of national significance serves to highlight the evolution of the Australian media ecology over these twenty years.

The post-lunch session at AoIR 2017 starts with Giovanni Boccia Artieri, whose interest is in the #selfieprotest phenomenon. Overall, online and social media platforms are playing an increasing role in protest movements, of course, and one of the challenges here is to find some of the boundaries of the public sphere that emerges through this, as well as to trace the dynamics of engagement in these spaces.

The final speaker in this AoIR 2017 session on 'fake news' is Fabio Giglietto, whose focus is on the discussion and dissemination of fake medical news on Facebook. In January 2016, the Italian public affairs TV show Presa Diretta covered alternative cancer treatments in a highly critical way, and further discussed these matters on its Facebook page; the present project examined the debate that ensued. This ties to broader concerns about public distrust in conventional medicine, and the online promotion of alternative treatments.

The next speaker in this AoIR 2017 session is Marco Bastos, whose focus is on the Brexit referendum. He notes that a substantial number of bots were active in the Brexit debate on Twitter, yet many of these accounts disappeared immediately after the referendum. But it is also important to distinguish between different bots: there are legitimate bot developers that offer such accounts, while genuine, highly active users are sometimes also misidentified as bots.

The third speaker in this AoIR 2017 session is Kirsten Gollatz, whose focus is on the institutionalisation of the 'fake news' controversy in Germany. The debate on 'fake news' there continues, and the term itself is controversial; it has now entered the German dictionary, but nonetheless remains ill-defined. There is an ongoing renegotiation of the norms, rules, and responsibilities of the various relevant actors in this context.

The next session at AoIR 2017 is a panel on 'fake news', and begins with Giorgio Bertolin, from NATO (!). 'Fake news' is also an issue for NATO as a military alliance, of course, and NATO is about to publish a report on the issue that is called Digital Hydra. The focus is on exploring activities across different platforms, examining the role of blogs, and studying 'fake news' sites.

The next speaker at AoIR 2017 is Olga Boichàk, who begins by highlighting the role of social media platforms in structuring specific forms of human sociality. But this also means that automated accounts – specifically, bots – can imitate and affect genuine human interactions in these spaces. What does this mean for online discussions in the context of the 2016 U.S. election campaign, then?

The second day at AoIR 2017 starts with a panel on the U.S. elections in 2016, and Patrícia Rossini is the first speaker. She notes the limited focus in the past on how voters interact with election campaigns; much of the research has paid attention simply to the campaigning strategies themselves. But there is also evidence that users encounter a good deal of campaigning in their social networks, though they do not necessarily like doing so – in part because the discourse can be heated, emotional, and uncivil. Further, reactions to some discourse differ based on whether users agree or disagree with the uncivil statements being made.

The first keynote at AoIR 2017 is by Andrew Chadwick, who explores what the 2016 U.S. presidential campaign means for our understanding of the hybrid media system. Political communication is in the middle of a chaotic transitional period, due in good part to the disruptions brought by newer, digital media; some older media have also been renewed by integrating the logics of newer media. This then represents a systemic perspective that examines forces while they are in flow.

The hybrid media system is built on the interactions of older and newer media logics in the reflexively connected field of media and politics. Actors in this field tap and steer information flows in ways that suit their goals, enable or disable the agency of others, across various older and newer media settings. 'Hybrid' here shifts our conceptualisation from 'either/or' to 'not only, but also'; it foregrounds complexity, interdependence and transition. We pay more attention to boundaries, flux, and liminal spaces, where practices intermeshing and co-evolve.

The final paper in this AoIR 2017 session is by Gemma San Corneliu and Antoni Roig, whose focus is on the study of selfies as performed personal narratives, in a broader context of narrative texts. How may such selfies be understood through an alternative genealogy that conceptualised selfies as small narratives?