In the preceding pages, Mitra speaks of the "specific strategies" diasporic communities
have used "to carve out areas in cyberspace where some are welcome and others are not"
(175), and indeed we have seen how online norms and institutions have emerged from the
Progressive Rock community on the Net. Thus, from a perspective more strictly in line with
the theories of institutional strategies of control and oppositional tactics of appropriation
put forward by de Certeau, the question arises how institutionalised Prog itself has become
with the help of its use of the Internet -- that is, how much the (cyber-) spaces it has carved
out for itself are indeed its own, to control strategically instead of having to mount tactical
'guerilla attacks' on the general music marketplace and its associated communication
spaces. It is to this, then, that the discussion must now finally turn.
|
Bit 1
|