"Every Home Is Wired": Appendix B.1 -- References

"Every Home Is Wired":
Appendix B.1 -- References

Books
Attali, Jacques. Noise: The Political Economy of Music. Minneapolis: U of Minnesota P, 1985. Bennett, Tony, ed. Rock Music: Politics and Policy. Brisbane: Institute for Cultural Policy Studies, Griffith U, 1988. Bennett, Tony, et al., eds. Rock and Popular Music: Politics, Policies, Institutions. London: Routledge, 1993. Campbell Robinson, Deanna, et al. Music at the Margins: Popular Music and Global Cultural Diversity. Newbury Park, Calif.: Sage, 1991. De Certeau, Michel. The Practice of Everyday Life. Trans. Steven F. Rendall. Berkeley: U of California P, 1984. Curtis, Jim. Rock Eras: Interpretations of Music and Society, 1954-1984. Bowling Green, Ohio: Bowling Green State U Popular P, 1987. Frith, Simon, and Andrew Goodwin, eds. On Record: Rock, Pop, and the Written Word. New York: Pantheon, 1990. Frith, Simon, and Howard Horne. Art into Pop. London: Methuen, 1987. Grossberg, Lawrence. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York: Routledge, 1992. Hall, Stuart, and Tony Jefferson, eds. Resistance through Rituals: Youth Subcultures in Post-War Britain. London: Hutchinson, 1975. Harasim, Linda M., ed. Global Networks: Computers and International Communication. Cambridge, Mass.: MIT P, 1994. Hebdige, Dick. Subculture: The Meaning of Style. London: Methuen, 1979. Herman, Edward S., and Robert W. McChesney. The Global Media: The New Missionaries of Corporate Capitalism. London: Cassell, 1997. Herring, Susan C., ed. Computer-Mediated Communication: Linguistic, Social and Cross-Cultural Perspectives. Amsterdam: John Benjamins, 1996. Jones, Steven G., ed. CyberSociety: Computer-Mediated Communication and Community. Thousand Oaks, Calif.: Sage, 1995. Longhurst, Brian. Popular Music and Society. Cambridge: Polity Press, 1995. Lull, James, ed. Popular Music and Communication. 2nd ed. Newbury Park, Calif.: Sage, 1992. Macan, Edward. Rocking the Classics: English Progressive Rock and the Counterculture. New York: Oxford UP, 1997. McLuhan, Marshall, and Bruce R. Powers. The Global Village: Transformations in World Life and Media in the 21st Century. New York: Oxford UP, 1989. McLuhan, Marshall, and Quentin Fiore. The Medium Is the Massage: An Inventory of Effects. Harmondsworth: Penguin, 1967. Middleton, Richard. Studying Popular Music. Milton Keynes: Open University P, 1989. Negroponte, Nicholas. Being Digital. New York: Alfred A. Knopf, 1995. Rheingold, Howard. The Virtual Community: Homesteading on the Electronic Frontier. New York: HarperPerennial, 1994. Salus, Peter H. Casting the Net: From ARPANET to Internet and Beyond... Reading, Mass.: Addison-Wesley, 1995. Shepherd, John. Music as Social Text. Cambridge: Polity, 1991. Shields, Rob, ed. Cultures of Internet: Virtual Spaces, Real Histories, Living Bodies. London: Sage, 1996. Spender, Dale. Nattering on the Net: Women, Power and Cyberspace. North Melbourne: Spinifex, 1995. Talbott, Stephen L. The Future Does Not Compute: Transcending the Machines in Our Midst. Sebastopol, Calif.: O'Reilly & Associates, 1995. Wallis, Roger, and Krister Malm. Big Sounds from Small Peoples: The Music Industry in Small Countries. London: Constable, 1984. Willis, Paul E. Profane Culture. London: Routledge & Kegan Paul, 1978.	Bit 1

Books

Attali, Jacques. Noise: The Political Economy of Music. Minneapolis: U of Minnesota P, 1985.
Bennett, Tony, ed. Rock Music: Politics and Policy. Brisbane: Institute for Cultural Policy Studies, Griffith U, 1988.
Bennett, Tony, et al., eds. Rock and Popular Music: Politics, Policies, Institutions. London: Routledge, 1993.
Campbell Robinson, Deanna, et al. Music at the Margins: Popular Music and Global Cultural Diversity. Newbury Park, Calif.: Sage, 1991.
De Certeau, Michel. The Practice of Everyday Life. Trans. Steven F. Rendall. Berkeley: U of California P, 1984.
Curtis, Jim. Rock Eras: Interpretations of Music and Society, 1954-1984. Bowling Green, Ohio: Bowling Green State U Popular P, 1987.
Frith, Simon, and Andrew Goodwin, eds. On Record: Rock, Pop, and the Written Word. New York: Pantheon, 1990.
Frith, Simon, and Howard Horne. Art into Pop. London: Methuen, 1987.
Grossberg, Lawrence. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York: Routledge, 1992.
Hall, Stuart, and Tony Jefferson, eds. Resistance through Rituals: Youth Subcultures in Post-War Britain. London: Hutchinson, 1975.
Harasim, Linda M., ed. Global Networks: Computers and International Communication. Cambridge, Mass.: MIT P, 1994.
Hebdige, Dick. Subculture: The Meaning of Style. London: Methuen, 1979.
Herman, Edward S., and Robert W. McChesney. The Global Media: The New Missionaries of Corporate Capitalism. London: Cassell, 1997.
Herring, Susan C., ed. Computer-Mediated Communication: Linguistic, Social and Cross-Cultural Perspectives. Amsterdam: John Benjamins, 1996.
Jones, Steven G., ed. CyberSociety: Computer-Mediated Communication and Community. Thousand Oaks, Calif.: Sage, 1995.
Longhurst, Brian. Popular Music and Society. Cambridge: Polity Press, 1995.
Lull, James, ed. Popular Music and Communication. 2nd ed. Newbury Park, Calif.: Sage, 1992.
Macan, Edward. Rocking the Classics: English Progressive Rock and the Counterculture. New York: Oxford UP, 1997.
McLuhan, Marshall, and Bruce R. Powers. The Global Village: Transformations in World Life and Media in the 21st Century. New York: Oxford UP, 1989.
McLuhan, Marshall, and Quentin Fiore. The Medium Is the Massage: An Inventory of Effects. Harmondsworth: Penguin, 1967.
Middleton, Richard. Studying Popular Music. Milton Keynes: Open University P, 1989.
Negroponte, Nicholas. Being Digital. New York: Alfred A. Knopf, 1995.
Rheingold, Howard. The Virtual Community: Homesteading on the Electronic Frontier. New York: HarperPerennial, 1994.
Salus, Peter H. Casting the Net: From ARPANET to Internet and Beyond... Reading, Mass.: Addison-Wesley, 1995.
Shepherd, John. Music as Social Text. Cambridge: Polity, 1991.
Shields, Rob, ed. Cultures of Internet: Virtual Spaces, Real Histories, Living Bodies. London: Sage, 1996.
Spender, Dale. Nattering on the Net: Women, Power and Cyberspace. North Melbourne: Spinifex, 1995.
Talbott, Stephen L. The Future Does Not Compute: Transcending the Machines in Our Midst. Sebastopol, Calif.: O'Reilly & Associates, 1995.
Wallis, Roger, and Krister Malm. Big Sounds from Small Peoples: The Music Industry in Small Countries. London: Constable, 1984.
Willis, Paul E. Profane Culture. London: Routledge & Kegan Paul, 1978.

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