"Every Home Is Wired": 2 -- Endnotes |
If you followed a link from the thesis text, the yellow arrows will lead you back to the bite you came from. |
1 | Thus, many fans spell 'Progressive Rock' with capital initials, in analogy to Alternative Rock (which is today played on mainstream radio) and Indie music (whose publishers are not necessarily financially independent.) | |
2 | 'Prog' also circumvents the problem that some fans regard Progressive Rock as merely a sub-genre of Prog; indeed it can be claimed that the early Prog genre was fused from the three fairly distinct streams of progressive rock (today usually called 'symphonic Progressive'), psychedelic rock, and a more jazz-influenced fusion-rock. | |
3 | It should be noted that these bands were also among the first commercially successful exponents of Prog: while certain stylistic predecessors exist, only these bands managed the inital breakthrough on the music market. | |
4 | The 'Bruford game' also points up the ultimate limits of this definition of Prog: decidedly non-Prog pop stars like Celine Dion (for whom ex-King Crimson lyricist Peter Sinfield has worked) can thus also be connected directly. |
Section 2 Endnotes -- Go on to Bite:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
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© 1998 Axel Bruns