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Television

Developments in Video Platforms

Hamburg.
The next next09 panel is with Jeremy Allaire from Brightcove and Axel Schmiegelow from Sevenload - online video hosting companies in the US and Germany. Brightcove licences its video platform to a variety of partners; it now operates online video for some hundreds of media companies. Increasingly, this is used for syndicating and distributing content through a variety of social media Websites. Sevenload, by contrast, brings together communities and the content they are interested in, significantly also including user-generated content. They monetise for the content providers by running advertising on the site. (And the two companies have just entered a commercial partnership.)

Public Broadcasting in the Network Age

Hamburg.
The next session here at next09 is a panel on the future of public broadcasting organisations with Ian Forrester from the BBC and Robert Amlung from the ZDF, under the theme of open media. Both are clearly aware of the increasing involvement of users in media content creation and distribution, and aim to tap more into this; the ZDF is aiming especially to make redistribution legal by employing appropriate content licencings schemes (e.g. Creative Commons) and offering a suite of RSS feeds for its content. It is becoming more and more important to make content available to users (who, as licence or as tax payers, have already paid for it).

Hello TiVo - Goodbye TiVo?

I've spent some time last year (and I hope to do more of it in 2009) talking and writing about the increasing challenge to traditional television which the growing online video sector poses - both in terms of the original content available from the likes of YouTube and Current.tv and in terms of the shared and re-broadcast television content available from Justin.tv and various bittorrent networks.

My argument in that context was that such online services are gradually becoming more convenient than television itself, even where it's enhanced through VCRs, DVRs, TiVos, iPod Videos and other time- and space-shifting devices. Well, as it turns out, younger television audiences at least in the US agree with me. The Wall Street Journal reports that a new study by Solutions Research Group found that

Disruption 2.0: Broadcast vs. Social Media (AM&BC 2008)

Disruption 2.0: Broadcast vs. Social Media

Axel Bruns

"FASTRACKED FROM THE US." The words appear every day on our television screens. But apart from the embarrassing misspelling, what do they tell us?

After a Lengthy Silence...

Never go on holidays... Looks like a few days into my holiday on the Sunshine Coast, one of the electrical storms sweeping through Brisbane these days knocked out the server, even in spite of various forms of surge protection. Ah well - a motherboard replacement and some serious fiddling with Linux later (massive thanks to Nic Suzor for pointing me to the tip that enabled my successful necromancy), here we are again.

And while we're here, I might as well note that the audio and Powerpoint from my Interactive Minds presentation on 27 November are now online. I'm afraid the audio quality is, shall we say, 'for collectors only', but here it is, for what it's worth. This end-of-year IM event aimed to highlight trends in 2008 and predictions for 2009, and regular readers of this blog will recognise a few of my recurring obsessions. Many thanks to Jen Storey for the invite.

Futures for Advertising on Digital TV Platforms

Sydney.
Up next at the Australasian Media & Broadcasting Congress is Robert Leach, Head of MCn Connect, whose interest is in digital television - and he begins by saying that interactive TV is now here; he finds it impossible to watch TV news without being able to 'press the red button' and get the latest news headlines. (Hmmm... Most Australians appear to use the Internet for this, rather than pay-TV?) Digital TV is changing rapidly. Does this mean the death of TV and TV advertising?

No, says Robert - we are watching as much TV as we ever have done, even though usage of other devices is also growing. Where the major growth area lies is digital video in its various forms. In the digital environment, devices have multiplied, but media are converging; the challenge for marketers and advertisers is to involve and engage audiences in video content. Where the Clinton campaign slogan in 1992 was "it's the economy, stupid", today the slogan for advertisers should be "it's the content, stupid" - if broadcasting or other media forms are declining, this is not the fault of technology, but of the content being broadcast. Great content will continue to attract a mass audience - but that audience may exist across a wide variety of devices from conventional televisions to online and mobile devices, scattered across time and space.

The Challenge of User Demands for Conventional Broadcasting Models

Sydney.
My talk was next at the Australasian Media & Broadcasting Congress, and seemed to go down pretty well - I had been somewhat worried about getting booed off the stage by the broadcasters in the room, seeing as I was pointing out the dark clouds on the horizon for them. Here's the Powerpoint, and the paper is online, too - hope the audio recording worked, too! the audio turned out a little noisy once again, but it's better than nothing...

BBC's iPlayer: A Success Story

Sydney.
The next speaker at the Australasian Media & Broadcasting Congress 2008 is Tiffany Hall, Technology Controller of Nations & Regions at the BBC. She's focussing on the experience of rolling out the BBC iPlayer, an on-demand TV catch-up service (similar to the ABC's iView); programmes can be streamed or downloaded, and the service is funded by UK television licence funding (which is why content at present is not available outside the UK - unless you use an anonymiser proxy with a UK IP address). The player also contains parental guidance features (as timeshifting undermines the more conventional scheduling of differently rated programmes at different times of the day). iPlayer streams at 800kbps, with sound at 250kbps, and there are further moves to maximise the picture quality. About 80% of users use Windows, about 20% Macs, and only around 1% Linux; the player is now also available on the Nintendo Wii and on the Virgin platform.

The Australian Media Industry: Further Observations

Sydney.
Here at the Australasian Media & Broadcasting Congress, we now move on to another media industry panel, involving a number of the speakers of the day as well as Jason Paris from TV New Zealand. Some 12-18 months ago, New Zealand launched a FreeView service similar to what's soon coming to Australia, and this service has now achieved 10% penetration; TVNZ also launched an online catch-up service similar to the ABC's iView which now generates 300,000 hours of viewing per month, was the first broadcaster in Australasia to launch a YouTube channel, operated a YouTube live debate between the political leaders in the recent elections, partnered with Bebo, and offered four simultaneous live channels covering the recent Olympics online in addition to the TV channels, generating 360,000 viewing hours. It also offered a choice between ad-supported and for-pay online options, and ad-supported content won hands down (at a ratio of 70,000:1).

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