Snurblog - Creative Industries

CFP: ANZCA2009 Digital and Social Media Stream (Brisbane, 8-10 July 2009)

Snurb — Wed, 19 Nov 2008 13:49:56 +1100

Today I've started sending out calls for submissions to the 2009 conference of the Australia/New Zealand Communication Association, which will take place in Brisbane on 8-10 July 2009. We are calling for paper submissions for the conference overall, and for the Digital and Social Media stream in particular. For more information about the conference, a full list of all conference streams, and to submit your papers, please see the conference Website at http://www.anzca09.org/.

Digital and Social Media conference stream

ANZCA09: Communication, Creativity and Global Citizenship

8-10 July 2009
QUT Creative Industries Precinct, Brisbane, Australia
Stream convenors: Axel Bruns, Creative Industries Faculty, QUT / Teresa Rizzo, AFTRS
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Local Practice, Global Reach?

Snurb — Fri, 17 Oct 2008 20:24:02 +1000

Copenhagen.
I spent the first session of this second day at AoIR 2008 as a member of a panel on academic publishing - I didn't blog this, for obvious reasons. This second session starts with a paper on "Transcoding Place" by Vicki Moulder, in the overall area of social design and media convergence. How do communities enact agency in this space, especially given that digital social architecture is a fluid system, unlike conventional physical architecture?

Designers and creative professionals have a responsibility and are able to cause real change in design; this is especially important in the context of the changes brought about by media convergence. Can meaningful online agency (e.g. tagging and uploading content to YouTube and other social media sites) compare in any real sense with activism on the streets? Vicki and her colleague Jim Bizzocchi examined this question in the context of the Crude Awakening event at Burning Man, comparing the semantic structure of a face-to-face event in the Nevada desert (attended by some 45,000 spectators) with its video documentation (which was uploaded to YouTube by numerous users within hours of the event).

Collaborative Local Content Creation through edgeX: An Evaluation (AoIR 2008)

Snurb — Fri, 17 Oct 2008 20:20:58 +1000

AoIR 2008

Collaborative Local Content Creation through edgeX: An Evaluation

Sal Humphreys and Axel Bruns

16 Oct. 2008 - AoIR 2008 conference, Copenhagen

Collaborative Local Content Creation through edgeX (AoIR 2008)

View SlideShare presentation or Upload your own. (tags: ir9 creation)

Full Paper

This paper presents research data and findings from the collaborative content creation project edgeX: Mapping the missing grassroots, which was reported on in the 2007 AoIRs conference (Authors). This project is based in Ipswich, Queensland, Australia and explores the potential for, geographically local communities to enhance their social ties and sense of communal identity through the integration of a Website into their communication ecologies. The Website, http://edgeX.org.au/, allows local users to upload their own content in a variety of formats, and thereby (figuratively as well as literally) to put themselves and their work on the map; a Google Maps-driven geobrowsing interface is a centrepiece of the edgeX site. edgeX has most of the features available to the communities of Flickr, YouTube, and social networking sites, enabling users to publish and share their work and to interact with each other.

The Present of Journalism

Snurb — Fri, 19 Sep 2008 17:25:24 +1000

So, last Saturday I went to the Future of Journalism event in Brisbane (and spoke on one of the panels). Contrary to my usual practice, I didn't live-blog the event - panel-based events are notoriously difficult to blog. Here, then, are some reflections on what I saw - adding to comments already posted by Mark Bahnisch, Marian Edmunds, Cameron Reilly, and Bronwen Clune, among others.

The event began well, with Margaret Simons setting the theme with her usual insightful comments. Her observations about the troubled economic future for the journalism industry (and here, especially newspapers) are perhaps nothing new to most of us (though still not necessarily fully appreciated by many journalists themselves), and the bleak future that this malaise points to especially for in-depth, costly, quality investigative journalism has been discussed in some detail already (including by Jason, Barry and me in the Club Bloggery series), but it was a useful framing for the panels to follow.

PhD Scholarships in Social Media and Audience and Market Foresight with Smart Services CRC

Snurb — Fri, 12 Sep 2008 09:37:03 +1000

Now that the new Smart Services Cooperative Research Centre has been officially launched, we've begun to recruit for PhD students who'll be based with the QUT node of the CRC. This is an excellent opportunity to work with major Australian industry partners and key researchers in the Creative Industries and Business Faculties at QUT. If you're interested, get in touch now; if you know of anyone who may be interested, please spread the word!

My involvement is with the Social Media and Audience and Market Foresight programmes in the CRC (key industry partners here are Fairfax Digital and Sensis), so that's the focus of my interests; other colleagues in the CRC have slightly different research orientations. If you're considering proposing a PhD project in this field, it should address one or more of the topics of interest listed below.

Visualising Cultural Patterns

Snurb — Wed, 30 Jul 2008 23:29:00 +1000

Singapore.
The ISEA 2008 conference is pretty much over now - the last event broadly connected with it is a talk by new media theorist Lev Manovich in the beautiful Lasalle arts space. With a title of "Cultural Analytics", I wouldn't be so surprised if this was going to be pretty close to what my colleagues at QUT have in mind when they talk about cultural science...

His aim here is to extrapolate from current to future cultural trends, and he notes that such futurism is traditionally very difficult. Part of his approach, therefore, is to develop new projects with his students which may have the potential to set new trends themselves. Overall, he says, we'll see a very significant new cultural development that builds on data mining and data visualisation technologies.

Creative Collaborations in New Zealand, Social Networking in Korea

Snurb — Sun, 27 Jul 2008 14:36:00 +1000

Singapore.
The morning session on this second day at ISEA 2008 continues with Caroline McCaw and Rachel Gillies, with a project related to Dunedin in New Zealand. Overall, there is a series of 20 place-responsive public artworks across New Zealand by national and international artists; the Dunedin component involves three artists (Douglas Bagnall, Adam Hyde, and Zoe Walker and Neil Bromwich) in separate locations around the world collaborating over the Internet - one of these locations was Edinburgh, after which Dunedin is partially named.

Creative Practice, as Research or Otherwise

Snurb — Sat, 26 Jul 2008 18:02:00 +1000

Singapore.
The post-lunch session of this first full day at ISEA 2008 starts for me with a bunch of papers grouped under the overall title of 'Transforming Media'. Janez Strehovec is the first presenter, and his interest is in new media art as research. He begins by noting the wide-ranging and diverse nature of new media art. Common to many new media artworks is the lack of stability for the artefacts that are being created - artefacts are no longer stable, material art works, but instead art is reconceptualised as process. This also undermines the 'artist as genius' stereotype.

Japanese Pop Culture and Its Impacts

Snurb — Fri, 25 Jul 2008 19:09:00 +1000

Singapore.
After a quick refreshment break with some tasty Singaporean food, we're now in a plenary panel session at ISEA 2008, on culture, technology, and Asian (or as it turns out, mainly Japanese) pop culture. Blogging panels is always difficult, but we'll see how it goes.

Adrian Cheok begins by noting the shift in policy in Asia towards a greater focus on cultural development in addition to science and technology (linked in part to the embrace of the idea of creative industries in Asia, of course). In particular, though, it's the interlinkage of culture and technology that's particularly productive here.

Copyright Perspectives in a Web 2.0 Context

Snurb — Fri, 27 Jun 2008 15:44:00 +1000

Brisbane.
The final session here at the CCi conference is billed as a copyright perspectives panel in the context of user-led content creation on Web 2.0. The panel begins with Oli Wilson from New Zealand indie band Knives at Noon and Otago University. Knives at Noon released its EP online under a Creative Commons 3.0 (BY-NC-SA) licence, free to share and remix for non-commercial purposes. The band was somewhat unhappy with the content of the EP itself, but wanted this creative material not to be wasted - they hoped that it would take on a life of its own by releasing it online as a ProTools source file (roughly following Linus Torvalds's logic in releasing the initial Linux kernel). Release in this format also allowed users to access the individual components of their tracks, not just the mixed end product - and it suited the band's creative philosophy.