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Building New Media Organisations
Submitted by Snurb on Fri, 27/06/2008 - 10:03.Brisbane.
The third and last day of the CCi conference starts with a keynote by the fabulous Mark Deuze, author of Media Work. He begins by pointing to Henry Jenkins's work on convergence culture, and reminds us of the magnitude of that trend. Why is this happening, what is the context for this - how do media professionals work in this environment?
Media organisations are very well positioned to make sense of this from a production perspective - they are well placed to find new ways to tell stories across multiple (new) platforms, but in doing so reproduce mainly what they did before. We need to move forward beyond this approach, though: how do we start from scratch in developing new content forms and forms of participation which are native to the new (media) environment, characterised as it is by niche communities and diverse interests? (Mark's upcoming book Beyond Journalism tells this story for the journalistic environment.)
Media Responses to Convergence Culture
Submitted by Snurb on Fri, 27/06/2008 - 10:53.Brisbane.
The next plenary session at the CCi conference responds to Mark Deuze's talk - John-Paul Marin from SBS and Tony Walker (blogger at ABC Digital Futures and the ABC's Manager of Digital Radio) will share their own experiences of operating in the new, user-led, media environment that Mark has sketched out.
Futures for Commerce and Commons (and for the CCi)
Submitted by Snurb on Fri, 27/06/2008 - 12:29.Brisbane.
The CCi conference is slowly drawing to a close - the next plenary is billed as a CCi Advisory Board discussion drawing together some of the threads from the three days of conferencing, and setting the agenda for future developments at the CCi. Henry Jenkins is the chair for this session.
Henry begins by opening the floor, and Kerry Raymond begins. She notes the relative absence of IT researchers at the conference, and thinks more IT people should attend conferences such as this - there is a need to break down institutional and disciplinary silos. Bob Hodge adds that there is a lot of revolutionary rhetoric here, but that the idea of a revolution needs to be further theorised - is this really a revolution or a more gradual change. A speaker from the Queensland government (didn't hear the name) would like to see further questioning of future directions - is where we going where we want to be going?
The Participative Web of Produsage: The View from the OECD
Submitted by Snurb on Fri, 27/06/2008 - 14:34.Brisbane.
The post-lunch sessions on this last day of the CCi conference take a somewhat more legal angle. The keynote speaker here is Graham Vickery from the OECD, which has just published a set of high-level recommendations related to making public sector information more publicly accessible, as appropriate to the emerging participative Web environment. The OECD is interested in the economic framework for this new environment (for example, online games, music, publishing, film, video, advertising, and news distribution) in order to identify what aspects (of value chains, business models, etc.) are shared across these environments.
Copyright Perspectives in a Web 2.0 Context
Submitted by Snurb on Fri, 27/06/2008 - 15:44.Brisbane.
The final session here at the CCi conference is billed as a copyright perspectives panel in the context of user-led content creation on Web 2.0. The panel begins with Oli Wilson from New Zealand indie band Knives at Noon and Otago University. Knives at Noon released its EP online under a Creative Commons 3.0 (BY-NC-SA) licence, free to share and remix for non-commercial purposes. The band was somewhat unhappy with the content of the EP itself, but wanted this creative material not to be wasted - they hoped that it would take on a life of its own by releasing it online as a ProTools source file (roughly following Linus Torvalds's logic in releasing the initial Linux kernel). Release in this format also allowed users to access the individual components of their tracks, not just the mixed end product - and it suited the band's creative philosophy.


![Creative Commons Attribution-NonCommercial-ShareAlike 2.0 License [Creative Commons Attribution-NonCommercial-ShareAlike 2.0 License]](http://creativecommons.org/images/public/somerights20.gif)